Art Blog
This blog is for posting photos of new art pieces and the random thoughts of oil painter Stephen St. Claire.
Story Behind the Painting: Saint-Jean-Cap-Ferrat
“Saint-Jean-Cap-Ferrat”
I’ve had people ask about inspiration. “What’s the story behind this one?” I love that question. So for fun (and maybe mostly for my own entertainment, I thought I would recall some of these “stories behind the painting” here in this venue. So here is the first: “Saint-Jean-Cap-Ferrat”.
Last September, my wife Joy and I were gifted some time in the south of France by Joy's mom. We spent several days in Nice, and while we were there, my task was to find a really great beach. So I Googled "best beaches". Joy's only stipulation was that it would not be too crowded. That stipulation turned out pretty laughable, since this stretch of coastline is one of the most tourist-crowded coastlines in the world.
“…we spent time swimming in the most amazingly clear,
radiant blue water I've ever seen”.
So instead of a crowded beach day, we settled on a walking day. And what I randomly found on Google maps turned out to be one of the highlights of our whole visit to France. There is a peninsula just east of Nice called Saint-Jean-Cap-Ferrat and there is a footpath around nearly the whole peninsula. This little footpath seemed to be entirely unknown by tourists since we were about the only people on it, and here and there, there were tiny little inlets and beaches (completely empty beaches). This painting is based on the photo I took of the exact spot we stopped to have our lunch and where we spent time swimming in the most amazingly clear, radiant blue water I've ever seen.
I was resigned to share our beach day with 50,000 other visitors and instead, I shared a secluded little cove with my wife. What an awesome surprise.
Q&A: SESSION TWO
“Pointe de la Cuisse”
So, this is the second of probably three posts answering random (REALLY RANDOM) questions I’ve been asked. By you. Thank you!
Questions and Answers:
Question 1: Choose one place in the world to travel to for inspiration.
Oh, I so love that question. It’s really easy to answer: Venice, Italy. When I was there, it was (surprise!) packed with tourists, but honestly, all we had to do was to walk a couple blocks away from the main streets (filled with tourists) and we were all by ourselves. It was amazing. It’s a winding maze of awesome 3’ wide “streets” with laundry draped like prayer flags over each tiny street. And at the end of each “street” was a little courtyard flooded with light, so no matter where we explored, we were lured through dark narrow “streets” by the light just beyond. Because of this, Venice is a city that inspires curiosity and exploration. And…they have awesome food and wine. :)
Question 2: If you could write a book about your life, what would the title be?
“Where Are My Keys?, by Stephen St.Claire. How’s that?
The big issue is that I have to work hard and very deliberately to think about something deep enough to etch it into my mind. Like “okay, I’m putting my keys on the dining room table” (and actually say it out loud). If I don’t do something like that, I’ll just shed the keys and not give any thought at all as to where I shed them. And it’s not just keys, it’s everything. And it’s not just recently, it’s since I can remember. I think my problem is a “focusing” problem.
I remember my parents saying things like “THINK! Steve. Think!” That assumed that I wasn’t thinking, but I’m ALWAYS thinking. My mind is always turned “on”. I’m dreaming, pondering and creating in my head. I don’t know how to stop. There are places I go and practices I employ to help my brain slow down and that’s really helpful. But it doesn’t “stop” it.
This trait (I think it’s pretty common in creative people) is irritating but it’s also helpful to me. My artwork comes from this churning brain of mine. I’ve learned to love this trait actually (though my wife is not quite there yet). Because I’m an artist, the fact that I’m always thinking, dreaming, debating in my head, planning and creating makes my paintings the natural and logical outlet for what’s going on in my mind. That’s why I love artwork. I’m sure I’d go mad if I didn’t have that way to get it all out of my head (at least momentarily).
Q&A: SESSION ONE
If you've read my blog at all, you know that many of the posts address some (sometimes weird) question I'm asked at my studio. Since these days, my studio is closed to the public, I put the word out that I need your input.
I'm opening the door to any and all questions. This may be good fodder for many blog posts! So think about it...if there's anything you want to know about me, my art, my art background, living in Asheville, ANYTHING.
Questions and Answers:
Question 1: Do you have a favorite painting that you could never part with?
Ooooo. Good question, but easy to answer. No, sort of. The whole reason I paint is to sell what I create and thereby support myself that way. I.e. I don’t have a “real” job. This IS my real job, so I need to pay close attention to which paintings and themes are getting the most interest in my studio and let that interest guide me as I dream up new ideas and themes.
That said, there are two paintings I’ve done that I will be heartbroken when they sell. One is my largest piece so far (a 6’ x 8’ waterfall that took 13 months to complete) and the other is a bridge at Giverny (Claude Monet’s home and garden). I’d kind of rather neither of them sold, but…Joy will hit me if I don’t have a price tag on them so…they’re for sale as “premium” pieces (meaning I’ll never discount them).
“Cullasaja Falls” (72” x 96”)
“Le rêve d'été de Giverny” (36” x 48”)
Question 2: Do you make your own canvases? Like the one in the picture, you would not normally find that on the shelf at Hobby Lobby.
I have a friend of mine make the panels for me. Because the weight of the materials I use to create my artwork (modeling compound and resin) will bow the canvas in the center, the canvas has to be backed with a then sheet of plywood. So, every panel is custom created, which means the size and proportions are not limited by what is “in stock” at the art store. I can get whatever size I order. That’s awesome.
Question 3: Have either you or Joy ever tossed away a half - finished work, completely disgusted and convinced that it is not going to turn out right, and then wished that you'd kept at it and finished it?
Not exactly. There are some pieces both Joy and I have gotten to about half-completed and realized it was not going to be improved with any amount of artistic cajoling, so we then rip the canvas off the panel, re-stretch the canvas and begin all over again. I’ve never, ever been sorry I’ve done that, because the second time I approach that theme (the re-do) is always so much better. I’ve even completely finished a piece, hung it on the wall for a few days and realize I hate looking at it. It doesn’t happen often, but I rip the painting off the backer panel and start over in that case as well. I want absolutely everything hanging on my studio walls to represent the very best I can create. If I know that’s not the case, I’ll start all over again.
That’s all for this entry…more questions and answers to come. If you have a question for me — personal, creative, technique, anything…just ask. I’ll answer every question I get. :)
What I'll Miss When This Pandemic is Over...
“Isolation artwork” is filling my floor. Keeping busy keeps me sane!
Last night, I dreamt that this whole wretched virus thing was over. I remember feeling a complete sense of relief, but I also felt some regret. Don’t judge me — it was a dream. But I remember feeling regret. When I woke up and realized I was just dreaming, I spent some time analyzing what my brain had been processing. I realized there are certain things and habits that have become part of my daily rhythm that I don’t think I want to give up when this is all over.
As an introvert, I relished the idea of forced alone time the first few days of isolation. That elation lasted about thirty six hours and quickly turned to loneliness. I realized that even introverts need people. I found myself smiling and striking up conversations (from six feet away and mask on) with people I’ve past when I go on my daily walk around the neighborhood. When I see people now, there’s actually joy inside. As an introvert, this is a new experience for me, and I don’t ever want to lose that. I want to celebrate each time I can be in proximity to another person, because each one is a gift when you’re otherwise alone.
I like the thankfulness inside for small things.
Because my art studio in Asheville is currently under lockdown, I’m not there at all. I miss my studio a lot but I really like the forced slowdown in my creative pace. Yes, I’m busy but I’m spending a lot more time now (because I HAVE a lot more time now) in dreaming and thinking and planning new paintings. I’m not just cranking out as many oil paintings as possible, but I am experimenting (again, because I have lots of time on my hands) and I’ve found myself learning and growing a lot as a result. I don’t want that to end.
I like the thankfulness inside for small things. Who’d have ever thought I’d say a quick prayer of thanksgiving for toilet paper? I mean, really! I’m convinced I’m an amusement to God sometimes. :)
During this isolation (and because of this isolation), I’ve found myself thinking of someone and firing off an email or text message just to let them know I was thinking about them and thankful for them. I’ve rarely thought of doing that before now, but I miss the contact with people I just always took for granted before.
And also, during this time alone, I’ve rediscovered the joy of meditation and prayer. Just to be clear, by “prayer”, I’m just mean that I talk to God like someone talks to their beloved friend. I find that this time of intense “apartness” leaves me longing for intense “with-ness” with God. Personally, that’s very helpful for me. That time with Him is the only place in my head I can go and get a sense of being filled back up, and my creativity is simply an overflow of that filling. I could never create if I wasn’t constantly attentive to being filled.
So amidst the fear I feel these days, amidst the frustration that my Asheville studio is empty and dark now, amidst the sadness that walking around Asheville’s River Arts District (which should be busy with spring tourists now) is like walking around a ghost town, I feel a real sense that there are actually some really good things that have happened precisely because of (and not in spite of) this horrible virus. For that, I am profoundly thankful and hopeful. This pandemic will end one day and but it does, I want to keep some of the treasures I’ve dug up in the dark times. If they’re treasures in the dark, what the heck will they look like in the light? I would like to see.
Entertaining Angels Unawares
A couple days ago, something really beautiful happened to me. Before I explain it though, I need to give you some background. Asheville is now pretty much a ghost town, with everyone staying in their homes afraid of the coronavirus. The entire River Arts District is closed, though I’m still in my studio (alone) because I have painting commissions I’m finishing up so they can be shipped. My wife Joy is in Dallas, Texas with three of our four kids and eight of our grandchildren because my youngest daughter is expecting a baby any hour now. Joy wanted to be there to help after the baby was born, so I ran back to NC to be here for the spring tourist crowds (HAH!) and to, like I said, finish up some paintings.
“I don’t want to take that if it’s all you have…”
So that’s the background. All that to say, everyone I love is in Dallas, Texas and Pittsburgh, PA and I’m feeling really, really alone and kind of creeped out by this whole virus mess and what is happened to the economy. This is really bad. So at 5:00 last Wednesday, I walked across the completely deserted streets of the River Arts District to where my car was parked, and as I was locking the studio door, I heard a violin playing. It was Chopin if I’m not mistaken. It was really beautiful. I figured someone was playing a radio or something, but it sounded “live”. I literally just stopped for a moment and listened. It had to be live. But it was 5:00 in a ghost town. No movement at all on the streets. No people. No sound at all except this lonely, lovely violin. So I followed the sound down the street, and sure enough, there was a black gentleman playing a violin on the corner. I stood reverently across the street (I LOVE Chopin) and as he finished, performing for an audience of one, I clapped. He asked if I had a dime or quarter for the song. I checked and all I had was a dollar bill. I explained that the dollar was all I had and that he could have that. “I don’t want to take that if it’s all you have,” he said. “Do you want some change back?”
Who says that? I told him that I wish I had more in my pocket. I told him that what he was doing (adding beauty into a silent, dark and scary world) was really important and very much appreciated. He smiled and kept playing while I walked back to my car.
Then I remembered out of the blue, a verse from the book of Hebrews (in the New Testament of the Bible) that I learned as a kid in Sunday school. “Do not neglect to show hospitality to strangers, for thereby some have entertained angels unawares.” No, I’m not saying I think I saw an angel. Although…who knows. If so, I pray God sends many more into our world right now in this dark time.
And so what his me was that I needed to imitate this man. We all should.
Create beauty now, even now, especially now. And share that beauty with people. That’s recreating Eden and we need a bit of Eden at the moment.
In Celebration of Art
As I was drinking my coffee early this morning, I was thinking about my day and what I had planned for it. I’m an artist; a painter specifically, and I work with oil paint. So thinking about my day meant figuring out which piece to work on first, and kind of plan in my head what I want to do with it. I went through each of the paintings I’m presently working on, poured another cup of coffee and thought, “you know, this whole “art thing” is really amazing. As a painter, I’m participating in a primal and ancient rite. Primal, because you give a one year old child a paper and crayons, and they know exactly what to do with them. Ancient because we’ve been creating since we identifiably became “modern” humans. As a species, we can’t seem to help ourselves. We have to creatively express what’s inside our heads. To me, that’s fascinating. And I call it a “rite” because that word evokes something mysterious and holy. A “rite” is the gate into the spiritual. And I absolutely believe art is spiritual. Art touches a part of us that is not just cognitive or physical. Art awakens a part of us that is the realm of the spirit and the heart. And that’s really incredible. How does art do that?
As a painter, I’m participating in a primal and ancient rite.
Art doesn’t so much make us think this or that as it evokes “feeling” in us. When you walk in through the doors of the Galleria dell'Accademia in Florence, Italy and walk down the long hallway toward Michelangelo’s David, you are captivated. You can’t help but feel it. David is extraordinary and he commands respect. Anyone who as been there and seen that incredible sculpture knows exactly what I’m talking about. When I visited Giverny, France and walked through Claude Monet’s home and garden, I felt it there too. The garden isn’t just plants, it’s artistically created, and it’s truly beautiful. It evokes calm and peace. Why does something I see evoke emotion? I don’t know how that works but I know it does and to me, that’s utterly fascinating.
I remember as a kid being taken to the Dorothy Chandler Pavillion to listen to Zubin Mehta conduct the L.A. Philharmonic orchestra. They were performing Beethoven’s Eighth Symphony and I remember crying. How does music do that?
We are incurably artistic beings, known for our intellect but really marked by our emotion and spirit. As I see it art is an ancient gateway, and whether you’re a year old kiddo with a red crayon, a poet, a gardener, a painter, a gourmet chef or a musician, you’re sort of entering another world when you create. You’re entering Eden (that paradise, that “better” place) and as you depict what you see or feel there, you bring Eden into this broken world. What a wonderful thing that is.
So close your computer and go grab a red crayon, a pen, a spade, a paint brush, a KitchenAid or guitar and let’s create something. Let’s bring Eden down, and walk there again in the cool of the day! Or you can fixate on coronavirus or the upcoming election. I’ll choose the paint brush. Care to join me?
"The Bridge"
Each year, I really enjoy challenging myself with an idea that is “over the top”. This year, I’ve decided to work with one of my favorite photos I took of one of my favorite places: Claude Monet’s lily pond in Giverny, France. When we were in France last September, we originally planned to see the Louvre, because if you’re an artist and you’re in Paris, you HAVE to visit the Louvre. But…the Louvre is closed on Mondays and that was the only day we had left in our trip. When I discovered this, I quickly Googled “Giverny” and found that the home and garden of my very favorite artist ever (sorry Leonardo et al) was OPEN on Mondays, I was very happy to add Giverny to our trip itinerary.
It was magical. If you love art, you would love Giverny. It was absolutely so amazing. But it was crawling with tourists. LOTS OF THEM. Every inch of the trail around the gardens and pond were packed. That’s okay. I was ONE OF THEM! I wanted to see with my own eyes the magical gardens that figured so prominently into so much of Monet’s artwork.
And then…a magical moment.
No one was on the bridge!
Just an 1/8 of a second later, and this photo would not exist. I feel like this was basically divine intervention. This moment was predestined. This was an awesome and wondrous moment! The challenge was to capture it with my iPhone! But being that it was a Mac product, that wasn’t a problem at all.
So this photo is what I’m painting. And I’m not done yet, but I’m getting very close. This piece will be a “one of a kind” painting, fully of wonderful memories for me. My goal is that it will be my personal “best of the best” to date. It’s coming home (from my current Texas studio) to Asheville, and will be in the most prominent position in my River Arts District studio. So…if you’r e visiting Asheville and are interested in seeing it, please know you’re welcome to visit!
The Most Interesting Question of the Year (but it's only February so...)
Spending most days painting in my Asheville studio, I am used to lots of questions, but honestly, most of the questions are pretty much the same. They mostly involve my technique and how I do it. Just a hint: I don’t tell how, I just tell what and why. :)
This last week though, amongst the other visitors to Asheville’s River Arts District, I had a gentleman give my artwork the “once over”, then pulled up beside me and quietly asked, “Do you always just paint what’s pretty, or do you ever get serious with your art?” Hmmm. I honestly didn’t know how to answer that, and told him so, but I’ve been thinking a lot about the question and would like, in this forum, to respond.
I have done only three paintings that were touching on serious topics. One painting (the darkest piece I’ve ever done) dealt with my feelings after visiting the concentration camp at Dachau, Germany. One dealt with climate change, and one (currently hanging in my studio) deals with racial injustice. I’m not opposed to using art as a platform to communicate something really heavy or political or spiritual. Artists have a very long track record for using the language of art to communicate on very serious levels. Look at Goya and the sketches he did during the wars he experienced. Look at the piece he did of Saturn devouring his son. That was a completely political piece of art. Look at the work of Salvador Dali. Most of it was dealing with his outrage at the corruption in the Catholic Church.
…my angst is not my subject matter with my artwork.
The thing is, my angst at the political situation in our country, racial justice, how we as Americans treat immigrants or refugees is not usually what I depict with my artwork. I do think about these things a lot and am very willing to express my opinions verbally, but usually, my angst is not my subject matter with my artwork.
Why do I paint “pretty things?” Probably because even as a kid, I’d see a photo of a beautiful place and wonder what was over that hill or around that curve in the road, and I’d imagine. I was drawn in. That’s why I paint, and that’s what I paint today. Look, this world is sometimes a dark, confusing and frustrating place. Do we really need “serious” art all the time? I for one am very happy to add beauty to this planet as my contribution. That is my “calling” if you will, and my artwork is just a small part of that. This calling is what makes me get up in the morning. It’s what I’m about.
Beauty and peace and curiosity and awe…I think the world needs more of that and so, I’ll save my political opinions for the pub. Catch me there and I’m fine unloading. But when I paint, I have something I believe is more important (and more needed) than my political views or my angst with society and I feel pretty good about that, thank you very much.
"Can I Watch You?"
Me and my assistant, Asher St.Claire
People visiting my River Arts District studio in Asheville, North Carolina were surprised when I told them where I was spending my winter. My studio hours are reduced this time of year and my awesome and capable assistant Brenna welcomes visitors for me every Friday, Saturday and Monday until mid-March when I arrive back in Asheville until next winter. “Dallas, Texas?” they’d exclaim. “Why?” Well, it’s not because of the natural beauty of the state. I feel sorry for it. It does have a raw and very simple beauty but honestly, let’s not argue about it. The second best thing about Texas is the BBQ and that’s it. The first best thing is that three out of our four kids live here, right next door to each other and we live life with family all around us (including eight of our ten grand children). Every day, painting gets pushed aside by running outside and hugging these kids as they scooter by the house.
It is such a life source for Joy and I. Rather than distracting us from creativity, that closeness greatly enhances creativity for me, because my “tank” is so full here. Ideas are ignited and new concepts are experimented with. It’s just than rather than being asked how I get my shiny finish or asked to explain what aluminum leaf is, I get asked if I want to watch them try out their new beyblade. I love it.
My first set of 2020 commissions are about done now and my next set is ready to start next week. And looking ahead to the challenges of the rest of the year, I’m really excited about the results of experiments I’m tried over the last few weeks. These experiments have included playing with layering of paint (trying to keep as much light penetrating as possible) and more texture, applying a higher relief than I’ve worked with before. The result gives even more depth to each piece.
So despite the sweet distractions all day long, I am getting more accomplished here than when I’m back in Asheville, and that’s an awesome validation that this “winter art studio” idea was a good one!
From Point A to Point Z
I remember years ago, as I was teaching a group of aspiring artists, the main problem I had with students was not their level of artistic skill or creativity. The main problem can be illustrated by the exasperated comment I heard over and over again: “My painting doesn’t look as good as yours!”. This statement usually was followed by them just giving up entirely. I felt like half the time, I was teaching art technique and the rest of the time, I was playing psychotherapist, and I’m not a very good psychotherapist.
"My painting doesn’t look as good as yours!”.
Really?
NEWS FLASH…if your painting looked as good as mine, you would not be taking an art class from me now, would you? (See, I really stink as a psychotherapist.) You might think their problem is self confidence, but it’s not. Their problem, over and over again, is a complete misunderstanding of how long it takes to perfect a skill. How long does it take to be able to sit down at the piano and play your favorite Katy Perry song? How long would it take you to reach the point where you would be able to run a marathon? How longs does it take to learn enough math skills to be an accountant? How many years of medical training does it take to be a brain surgeon?
Honestly, the common conception that “well, ANYONE could be an artist” is not only ignorant, it’s insulting. Don’t get me wrong. Everyone can pick up a paint brush (and would be psychologically healthier if they did) and create something, but to create something really well takes time and practice and lots of patience and stubborn persistence. It takes time to get from point A to point Z.
Honestly, the common conception that “well, ANYONE could be an artist” is not only ignorant, it’s insulting.
The common push-back I get to the above paragraph is that a lot of people look at a lot of the artwork out there and conclude “Heck, my four year old could do that!” so they assume art takes no skill at all, just good marketing. Looking around at a lot of artwork, I totally understand why people would feel that way. But, can I respectfully respond to this notion with a question? If I called myself a neurosurgeon, would that make me a neurosurgeon? If I called myself a concert pianist, would that make me a pianist? If I called myself an auto mechanic, would that mean you’d turn me loose on your Lexus?
Skill. Look for the skill. Art is visual, so the skill is there to be seen, or it’s not art. It may be color, it may be expressive, it may even be interesting to look at, but if there is no skill, there is no art.
Skill takes time and patience and persistence to develop and the willingness of aspiring artists to expend that kind of energy is what will make them a master of their craft. And honestly, when someone (no matter their present artistic skill level) who has the fire inside their heart that drives them to keep creating and developing their craft, it’s nearly impossible for them to fail.
Blog Archive
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2025
- Oct 12, 2025 What can I learn from Pablo Picasso in 2025? Oct 12, 2025
- Oct 10, 2025 What can I learn from Raphael in 2025? Oct 10, 2025
- Oct 8, 2025 What can I learn from Georgia O’Keefe in 2025? Oct 8, 2025
- Sep 28, 2025 What can I learn from Caravaggio in 2025? Sep 28, 2025
- Jul 25, 2025 What can I learn from Thomas Gainsborough in 2025? Jul 25, 2025
- Jul 20, 2025 What can I learn from Leonardo da Vinci in 2025? Jul 20, 2025
- Jul 15, 2025 What can I learn from Michelangelo in 2025? Jul 15, 2025
- Jul 2, 2025 What can I learn from Van Gogh in 2025? Jul 2, 2025
- Jun 25, 2025 What can I learn from Renoir in 2025? Jun 25, 2025
- Jun 23, 2025 What can I learn from Claude Monet in 2025? Jun 23, 2025
- Jun 21, 2025 Using Complimentary Colors for Shading Jun 21, 2025
- Jun 17, 2025 How and When to use Complimentary Colors Jun 17, 2025
- May 30, 2025 Perspective in Art 101: How to Make Your Drawings Pop Off the Page May 30, 2025
- May 26, 2025 How to Really Understand Medieval Art May 26, 2025
- May 22, 2025 Staying Creative May 22, 2025
- May 10, 2025 AT Experience May 10, 2025
- May 3, 2025 Go Take a Walk! May 3, 2025
- Apr 25, 2025 Periods of Art: Mannerism Apr 25, 2025
- Apr 17, 2025 Finding Meaning in the Abstract: Pointers for Understanding Modern Art Apr 17, 2025
- Apr 16, 2025 The Quiet Labor Apr 16, 2025
- Apr 12, 2025 To Art: a Poem Apr 12, 2025
- Apr 5, 2025 The Enchantment of Art Nouveau Apr 5, 2025
- Mar 23, 2025 "What was it like going to art school?" Mar 23, 2025
- Mar 18, 2025 Why I Love the Rococo Period Mar 18, 2025
- Mar 4, 2025 Expressing Joy Through Art Mar 4, 2025
- Feb 28, 2025 The Connection Between Art and Frustration Feb 28, 2025
- Feb 23, 2025 Neoclassicism: Bringing Ancient Style Back to Life Feb 23, 2025
- Feb 18, 2025 On my walk Feb 18, 2025
- Feb 12, 2025 Art at the Very Beginning Feb 12, 2025
- Feb 10, 2025 Monet and Renoir: A Personal Reflection on Their Differences Feb 10, 2025
- Feb 6, 2025 The Fount of Creation: A poem Feb 6, 2025
- Feb 1, 2025 The Connection Between Art and Grief Feb 1, 2025
- Jan 29, 2025 A Journey Through Medieval Art: Stories from the Middle Ages Jan 29, 2025
- Jan 26, 2025 The Story of Art: The Romantic Period Jan 26, 2025
- Jan 16, 2025 The Relationship Between Music and Painting Jan 16, 2025
- Jan 12, 2025 Periods of Art: Baroque Jan 12, 2025
- Jan 11, 2025 Marketing your Artwork Jan 11, 2025
- Jan 7, 2025 Exploring the Golden Ratio in Art Jan 7, 2025
- Jan 3, 2025 Artistic Enlightenment: Lessons from Italy Jan 3, 2025
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2024
- Dec 29, 2024 Why Travel is Crucial for Unleashing Creativity Dec 29, 2024
- Dec 22, 2024 Steps to Becoming a Full-Time Professional Artist Dec 22, 2024
- Dec 10, 2024 How to Determine Subject Matter for Your Next Painting Dec 10, 2024
- Dec 3, 2024 My Favorite Artist Dec 3, 2024
- Dec 1, 2024 Creativity and Exploration Dec 1, 2024
- Nov 13, 2024 Impressionistic Heroes of Mine Nov 13, 2024
- Nov 10, 2024 "So how do you DO this?" Nov 10, 2024
- Nov 3, 2024 Discovering the Bond Between Nature and Art Nov 3, 2024
- Nov 1, 2024 How Art Can Help Us Cope with Stress Nov 1, 2024
- Oct 27, 2024 How to Select the Perfect Art for Your Home Oct 27, 2024
- Oct 24, 2024 What to Do When You Feel Like Giving Up as an Artist Oct 24, 2024
- Oct 14, 2024 Book Review: The Artist’s Way Oct 14, 2024
- Oct 11, 2024 How to find Inspiration for your art Oct 11, 2024
- Sep 24, 2024 Crafting the Perfect Title for Your Artwork Sep 24, 2024
- Sep 14, 2024 The Worst Advice I’ve Ever Received as an Artist Sep 14, 2024
- Sep 8, 2024 Overcoming Artist’s Block: Practical Tips Sep 8, 2024
- Aug 30, 2024 Exploring Lessons from Vincent van Gogh Aug 30, 2024
- Aug 29, 2024 Why Purchase Original Artwork? Aug 29, 2024
- Aug 25, 2024 How do you determine the best size artwork to purchase? Aug 25, 2024
- Aug 15, 2024 "So, what's this painting worth?" Aug 15, 2024
- Aug 9, 2024 What color art would go best in my home? Aug 9, 2024
- Aug 4, 2024 How to deal with criticism as an artist Aug 4, 2024
- Mar 27, 2024 Question 12: "What do you do when you have a mental block?" Mar 27, 2024
- Mar 27, 2024 New Goals + Winter Months = "Outside the Box" Creativity Mar 27, 2024
- Jan 8, 2024 Question 11: Where do you get inspiration for your work? Jan 8, 2024
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2023
- Sep 11, 2023 Question 10: "Do you have your work in galleries?" Sep 11, 2023
- Aug 27, 2023 Question 9: "How do you manage the business side of your art business?" Aug 27, 2023
- Aug 20, 2023 Question 8: "Do you advertise?" Aug 20, 2023
- Aug 13, 2023 Question 7: "How do you price your work?" Aug 13, 2023
- Jul 30, 2023 Question 6: "What are the positive points and negative points about having an 'open studio'?" Jul 30, 2023
- Jul 19, 2023 Question 5: "Would you mind critiquing my work at some point?" Jul 19, 2023
- Jul 1, 2023 Question 4: "Would you recommend art school, and if so, how would you find the right one?" Jul 1, 2023
- Jun 24, 2023 Question 3: "Did you go to art school? If so, where?" Jun 24, 2023
- Jun 16, 2023 Question 2: "How long have you been selling your work professionally?" Jun 16, 2023
- Jun 10, 2023 Question 1..."How long have you been an artist?" Jun 10, 2023
- Jun 4, 2023 So, you're thinking about art as a career? Jun 4, 2023
- Mar 3, 2023 "What inspires you as an artist?" Mar 3, 2023
- Feb 15, 2023 Should I buy a completed painting OR commission a painting? Feb 15, 2023
- Jan 23, 2023 "How do you Price Your Work?" Jan 23, 2023
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2022
- Dec 1, 2022 An Artist in Italy (Part 3) Dec 1, 2022
- Nov 16, 2022 An Artist in Italy (Part 2) Nov 16, 2022
- Nov 8, 2022 An Artist in Italy (Part 1) Nov 8, 2022
- Oct 10, 2022 When Remodeling a Home... Oct 10, 2022
- Aug 22, 2022 How to Handle Failure Aug 22, 2022
- Jun 3, 2022 "What is it like being an artist these days?" Jun 3, 2022
- May 21, 2022 "Are All Artists Introverts?" May 21, 2022
- May 9, 2022 What Makes a Painting a Good Piece of Art? May 9, 2022
- Apr 1, 2022 The Story Behind…"Gentle Showers on a Summer Afternoon" Apr 1, 2022
- Mar 19, 2022 The Story Behind..."Blue Ridge Summer Afternoon" Mar 19, 2022
- Feb 18, 2022 Your Opinion Please... Feb 18, 2022
- Jan 22, 2022 What's in a Compliment? Jan 22, 2022
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2021
- Dec 25, 2021 My Christmas Present to Joy Dec 25, 2021
- Dec 12, 2021 Deep in the Heart Dec 12, 2021
- Nov 29, 2021 "How do you know you're done with a painting?" Nov 29, 2021
- Nov 1, 2021 Does it Matter What Other People Think of My Art? Nov 1, 2021
- Oct 12, 2021 Creatively Inhaling... Oct 12, 2021
- Aug 31, 2021 More Fun than I Know What to do With Aug 31, 2021
- Aug 13, 2021 “Are You Self Taught?” Aug 13, 2021
- Jul 21, 2021 New Art Gallery on the West Coast Jul 21, 2021
- Jun 23, 2021 "Art from the Heart" vs "Commissioned Art" Jun 23, 2021
- May 28, 2021 More Questions and Answers May 28, 2021
- May 17, 2021 What does Diversity have to do with honest artwork? May 17, 2021
- May 4, 2021 More Questions and Answers May 4, 2021
- Apr 30, 2021 Questions and Answers Apr 30, 2021
- Apr 16, 2021 And the Next Blog Post is... Apr 16, 2021
- Mar 10, 2021 How do you create when you don't feel like creating? Mar 10, 2021
- Feb 11, 2021 "Mullaghmore": The Story Behind the Painting Feb 11, 2021
- Jan 28, 2021 A Look Back to "The Dark Year" Jan 28, 2021
- Jan 17, 2021 Studio Expansion...Hello Northeast! Jan 17, 2021
- Jan 7, 2021 How to Create the Perfect Painting Jan 7, 2021
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2020
- Dec 1, 2020 A personal answer to a personal question... Dec 1, 2020
- Nov 4, 2020 Using Art to Express my Politics Nov 4, 2020
- Oct 16, 2020 Sometimes, just "having fun" is a good enough reason Oct 16, 2020
- Oct 4, 2020 The Best Painting Delivery Ever... Oct 4, 2020
- Sep 7, 2020 How a Dinky Little Virus Changed my Art Business Sep 7, 2020
- Aug 9, 2020 Adaptation: Survival of the Most Flexible Aug 9, 2020
- Aug 3, 2020 Story Behind the Painting: "Sundown over the Blue Ridge" Aug 3, 2020
- Jul 18, 2020 Cure for Covid blues Jul 18, 2020
- Jul 5, 2020 Where Does it Take You? Jul 5, 2020
- Jun 3, 2020 Story Behind the Painting: Autumn Day on the French Broad River Jun 3, 2020
- May 24, 2020 Story Behind the Painting: Saint-Jean-Cap-Ferrat May 24, 2020
- Apr 30, 2020 Q&A: SESSION TWO Apr 30, 2020
- Apr 22, 2020 Q&A: SESSION ONE Apr 22, 2020
- Apr 8, 2020 What I'll Miss When This Pandemic is Over... Apr 8, 2020
- Mar 20, 2020 Entertaining Angels Unawares Mar 20, 2020
- Mar 8, 2020 In Celebration of Art Mar 8, 2020
- Feb 27, 2020 "The Bridge" Feb 27, 2020
- Feb 8, 2020 The Most Interesting Question of the Year (but it's only February so...) Feb 8, 2020
- Jan 29, 2020 "Can I Watch You?" Jan 29, 2020
- Jan 14, 2020 From Point A to Point Z Jan 14, 2020
- Jan 5, 2020 An Impractical Idea Jan 5, 2020
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2019
- Dec 17, 2019 My Beautiful Baby on Display Dec 17, 2019
- Dec 3, 2019 Regarding the Selection of an Artistic Theme Dec 3, 2019
- Nov 20, 2019 "What's Your Best Price on This Piece?" Nov 20, 2019
- Nov 13, 2019 A Really Unique Commission Project Nov 13, 2019
- Nov 6, 2019 Fun with Art Scammers Nov 6, 2019
- Nov 3, 2019 "How did you know you wanted to be an artist?" Nov 3, 2019
- Oct 30, 2019 How do you know when a painting is "done"? Oct 30, 2019
- Oct 20, 2019 The piece I had to paint: "Côte d’Azur" Oct 20, 2019
- Oct 18, 2019 Inspiration Everywhere! Oct 18, 2019
- Aug 26, 2019 Contentment vs Restlessness Aug 26, 2019
- Aug 14, 2019 "Why Should I Purchase Artwork?" Aug 14, 2019
- Aug 11, 2019 What Was Art School Like? Aug 11, 2019
- Aug 7, 2019 "The Four Seasons on the French Broad River" Aug 7, 2019
- Jul 30, 2019 Joy Unspeakable Jul 30, 2019
- Jul 7, 2019 Of Mountains and Oceans Jul 7, 2019
- Jul 3, 2019 Lessons I've Learned as an Artist Jul 3, 2019
- Jun 26, 2019 St.Claire Art Opening at the AC Hotel, Asheville Jun 26, 2019
- Jun 23, 2019 "How do you decide what to paint?" Jun 23, 2019
- Jun 5, 2019 One of my All-Time Heroes Jun 5, 2019
- Jun 2, 2019 Regarding "Inspiration" vs "Necessity" Jun 2, 2019
- May 29, 2019 The Best Complement I've Ever Received May 29, 2019
- May 19, 2019 "What are you Working on These Days?" May 19, 2019
- May 5, 2019 "Frankenstein-ing" a painting May 5, 2019
- Apr 17, 2019 The Big Reveal Apr 17, 2019
- Apr 3, 2019 "How do you Decide What to Paint?" Apr 3, 2019
- Mar 27, 2019 "I'm just not making the sales I need!" Mar 27, 2019
- Mar 20, 2019 Making the Most of Mistakes Mar 20, 2019
- Mar 10, 2019 Exploring Austin Galleries, Part 2 Mar 10, 2019
- Feb 25, 2019 Exploring Austin Galleries, Part 1 Feb 25, 2019
- Feb 10, 2019 Progress! Feb 10, 2019
- Jan 23, 2019 Preliminary Photos of my "Sails" Prototypes Jan 23, 2019
- Jan 16, 2019 The Benefits of Slowing Down Jan 16, 2019
- Jan 8, 2019 New Idea Taking Shape Jan 8, 2019
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2018
- Dec 29, 2018 Looking Back and Looking Ahead Dec 29, 2018
- Dec 19, 2018 Percolating Creativity Dec 19, 2018
- Dec 16, 2018 So then... Dec 16, 2018
- Dec 12, 2018 What if... Dec 12, 2018
- Dec 5, 2018 Recent Projects on my Plate Dec 5, 2018
- Dec 3, 2018 Claude: My Creative Hero and Muse Dec 3, 2018
- Nov 22, 2018 Lessons I've Learned as an Artist Nov 22, 2018
- Nov 12, 2018 Planning for a Second Studio Location! Nov 12, 2018
- Nov 7, 2018 Steps Involved with a Painting Commission Nov 7, 2018
- Nov 4, 2018 How do you stay "balanced"? Nov 4, 2018
- Oct 28, 2018 What makes art "Art"? Oct 28, 2018
- Oct 21, 2018 "How Did You Stumble Across This Type of Artwork?" Oct 21, 2018
- Oct 17, 2018 "A Personal History" Oct 17, 2018
- Oct 14, 2018 Commission Confusion Oct 14, 2018
- Oct 10, 2018 "Aqueous Dream" Oct 10, 2018
- Oct 7, 2018 Beauty in the Center of the Pit Oct 7, 2018
- Sep 30, 2018 Only North Carolina? Sep 30, 2018
- Sep 23, 2018 The Price of Being a Landscape Painter Sep 23, 2018
- Sep 9, 2018 Thoughts on New Directions, New Possibilities Sep 9, 2018
- Aug 29, 2018 SURVEY: GLOSSY OR SATIN Aug 29, 2018
- Aug 22, 2018 Regarding Commissioning a Painting Aug 22, 2018
- Aug 19, 2018 On the Brink of a Huge Failure Aug 19, 2018
- Aug 7, 2018 "The Trail That Never Ends" Aug 7, 2018
- Aug 5, 2018 Inspration Begets Inspiration Aug 5, 2018
- Jul 19, 2018 Rejuvenating Creativity! Jul 19, 2018
- Jul 15, 2018 A Word About Accolades Jul 15, 2018
- Jul 10, 2018 Where it Began Jul 10, 2018
- Jul 4, 2018 Funny Things People Say in an Art Studio Jul 4, 2018
- Jun 29, 2018 "The Time Between Times" Jun 29, 2018
- Jun 27, 2018 World View #8: Post Modernism Jun 27, 2018
- Jun 21, 2018 World View #7: New Age Pantheism Jun 21, 2018
- Jun 12, 2018 A New Opportunity -- A New Idea Jun 12, 2018
- Jun 6, 2018 The Art of Dinner (at the Grove Park Inn) Jun 6, 2018
- Jun 3, 2018 National Geographic?!? Jun 3, 2018
- Jun 1, 2018 World View #6: Modernism Jun 1, 2018
- May 24, 2018 The Art of Dinner (with the Dallas Cowboys) May 24, 2018
- May 13, 2018 Carving Mountains from Scratch May 13, 2018
- May 10, 2018 "Trigger Warning" May 10, 2018
- May 7, 2018 World View #5: Existentialism May 7, 2018
- Apr 29, 2018 World View #4: Nihilism Apr 29, 2018
- Apr 11, 2018 World View #3: Naturalism Apr 11, 2018
- Apr 4, 2018 World View #2: Deism Apr 4, 2018
- Mar 26, 2018 World View #1: Theism Mar 26, 2018
- Mar 23, 2018 A Time to be Disturbed Mar 23, 2018
- Mar 14, 2018 Understanding Art 101 Mar 14, 2018
- Mar 8, 2018 The Organ Mountains Mar 8, 2018
- Mar 7, 2018 "Remember...there are no mistakes with art" Mar 7, 2018
- Mar 2, 2018 The Biltmore Estate Mar 2, 2018
- Feb 21, 2018 How to Make a Living as an Artist (Part 2) Feb 21, 2018
- Feb 12, 2018 How to Make a Living as an Artist Feb 12, 2018
- Feb 4, 2018 How do you create when you don't feel creative? Feb 4, 2018
- Jan 24, 2018 Gallery Representation in Hendersonville! Jan 24, 2018
- Jan 19, 2018 Metalizing the Biltmore Estate Jan 19, 2018
- Jan 15, 2018 Four Seasons on the Blue Ridge Jan 15, 2018
- Jan 11, 2018 About Ice... Jan 11, 2018
- Jan 10, 2018 What's Next? Jan 10, 2018
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2017
- Dec 20, 2017 Mountain Top Experiences Dec 20, 2017
- Dec 18, 2017 The Power of Mystery Dec 18, 2017
- Dec 7, 2017 Forsyth Park Fountain Dec 7, 2017
- Dec 6, 2017 Angsty or Terrified? Dec 6, 2017
- Dec 4, 2017 To the "Angsty" Artist... Dec 4, 2017
- Dec 3, 2017 "I woudn't pay HALF of what he's asking!" Dec 3, 2017
- Nov 20, 2017 "On the Water" Nov 20, 2017
- Nov 19, 2017 Song of Autumn Nov 19, 2017
- Nov 15, 2017 "Top of the Mountain" Nov 15, 2017
- Nov 5, 2017 "How do you decide what to paint?" Nov 5, 2017
- Nov 2, 2017 "Valley of Shadows" Nov 2, 2017
- Nov 1, 2017 Forest of Autumn Gold Nov 1, 2017
- Oct 25, 2017 Then and Now Oct 25, 2017
- Oct 24, 2017 Catawba Falls Oct 24, 2017
- Oct 18, 2017 "Valley of Shadows" Oct 18, 2017
- Oct 11, 2017 Autumn River Song Oct 11, 2017
- Oct 3, 2017 Autumnal Shift Oct 3, 2017
- Sep 28, 2017 Mystic Summer Morning Sep 28, 2017
- Sep 24, 2017 Valley of Shadows Sep 24, 2017
- Sep 1, 2017 the breakers Sep 1, 2017
- Aug 24, 2017 When the Sun Went Dark Aug 24, 2017
- Aug 17, 2017 Secret Blog Post Aug 17, 2017
- Aug 14, 2017 Waterfalls Everywhere! Aug 14, 2017
- Aug 11, 2017 "Cullasaja Falls" Completion photo Aug 11, 2017
- Aug 8, 2017 Finishing up "My Marathon" Aug 8, 2017
- Aug 1, 2017 One of the Best Days Ever! Aug 1, 2017
- Jul 26, 2017 "Glacial Fractures in situ" Jul 26, 2017
- Jul 24, 2017 Inspiration and Rest Jul 24, 2017
- Jul 18, 2017 Half Baked Ideas... Jul 18, 2017
- Jul 13, 2017 Oaks on the Water Jul 13, 2017
- Jul 9, 2017 Challenged to the Core Jul 9, 2017
- Jul 5, 2017 Boats on the Water Jul 5, 2017
- Jun 30, 2017 Glacial Fractures Jun 30, 2017
- Jun 29, 2017 Winter in the Summer! Jun 29, 2017
- Jun 27, 2017 What's in a Compliment? Jun 27, 2017
- Jun 23, 2017 Thoughts on a Mighty Failure Jun 23, 2017
- Jun 20, 2017 Sunrise on the Mountain Jun 20, 2017
- Jun 14, 2017 The Last Sunset (is that dramatic or what?) Jun 14, 2017
- Jun 12, 2017 Sunset or Sunrise? End or Beginning? Jun 12, 2017
- Jun 9, 2017 At the End of the Day Jun 9, 2017
- Jun 8, 2017 Giverny: My Homage to the Man Jun 8, 2017
- Jun 2, 2017 A Funny Thing Happened at the Studio Today... Jun 2, 2017
- Jun 2, 2017 Sunrise, Sunset... Jun 2, 2017
- May 29, 2017 Color Explosion May 29, 2017
- May 22, 2017 My Largest Painting to Date... May 22, 2017
- May 18, 2017 What to do with 2000 visitors in an art studio... May 18, 2017
- May 9, 2017 My Creative Muse May 9, 2017
- May 3, 2017 Joys of Life May 3, 2017
- Apr 28, 2017 Regarding Art & Beauty Apr 28, 2017
- Apr 25, 2017 Getting Better Acquainted Apr 25, 2017
- Apr 23, 2017 Rainy Sunday Morning Thoughts Apr 23, 2017
- Apr 22, 2017 Personal Thoughts Apr 22, 2017
- Apr 19, 2017 Favorite Hikes (Inspiration in the Making)... Apr 19, 2017
- Apr 15, 2017 Inspiration is Everywhere (some of our favorite hiking trails) Apr 15, 2017
- Apr 9, 2017 "Where should we eat tonight?" Apr 9, 2017
- Apr 6, 2017 Who Else Should We See in the District? Apr 6, 2017
- Apr 1, 2017 Spring in Western North Carolina Apr 1, 2017
- Mar 29, 2017 "Can you really make a living here?" Mar 29, 2017
- Mar 25, 2017 Of Ruination and Rescue Mar 25, 2017
- Mar 21, 2017 How I decide what to paint... Mar 21, 2017
- Mar 18, 2017 Musings of an artist... Mar 18, 2017
- Mar 14, 2017 Winter thoughts Mar 14, 2017
- Mar 13, 2017 "What makes this painting so sparkly?" Mar 13, 2017
- Mar 10, 2017 You're From Where? Mar 10, 2017
- Mar 5, 2017 "No Boundaries" Mar 5, 2017
- Mar 3, 2017 Appalachian Trail Mar 3, 2017
- Mar 2, 2017 What is 'good' art? Mar 2, 2017
- Feb 26, 2017 A Trip to the Art Museum Feb 26, 2017
- Feb 23, 2017 "The Rules" of Art Feb 23, 2017
- Feb 15, 2017 To School or Not to School... Feb 15, 2017
- Feb 10, 2017 How Do I Start This Thing? Feb 10, 2017
- Feb 9, 2017 Rocky Mountains reflection Feb 9, 2017
- Feb 7, 2017 Getting Inspired Feb 7, 2017
- Feb 5, 2017 Inspiration for a painting... Feb 5, 2017
- Jan 31, 2017 Understanding Abstract Art Jan 31, 2017
- Jan 29, 2017 Chi Jan 29, 2017
- Jan 26, 2017 Process: Rocky Mountain Commission Jan 26, 2017
- Jan 12, 2017 "Summer Path Thru the Birch Trees" Jan 12, 2017
- Jan 9, 2017 "Daybreak" Jan 9, 2017
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2016
- Dec 31, 2016 Revisiting a friend Dec 31, 2016
- Dec 28, 2016 The Trial Run Dec 28, 2016
- Dec 17, 2016 Asheville Channel Interview Dec 17, 2016
- Nov 28, 2016 "Big Mamma" begins to sing.... Nov 28, 2016
- Nov 22, 2016 An Experiment with Moonlight Nov 22, 2016
- Nov 17, 2016 Transfiguration Nov 17, 2016
- Nov 11, 2016 My Cluttered World Nov 11, 2016
- Oct 30, 2016 Sacred Space Oct 30, 2016
- Oct 22, 2016 Omikron (Fire & Ice) Oct 22, 2016
- Oct 19, 2016 "Do you know what you're going to paint?" Oct 19, 2016
- Oct 15, 2016 "Golden Pathway" Oct 15, 2016
- Oct 14, 2016 Flowers, Flowers Everywhere Oct 14, 2016
- Oct 13, 2016 OKC 2 ("The Bridge") Oct 13, 2016
- Oct 12, 2016 Headed west... Oct 12, 2016
- Sep 7, 2016 A Year of "Largest" Sep 7, 2016
- Aug 2, 2016 Transformation of an idea... Aug 2, 2016
- Jul 27, 2016 Beginning my "marathon" painting: Cullasaja Falls Jul 27, 2016
- Jul 18, 2016 My Marathon Jul 18, 2016
- Jul 13, 2016 Welcome! Jul 13, 2016
- Jul 11, 2016 Aegean Waters Jul 11, 2016
- Jul 2, 2016 The Red Planet Jul 2, 2016
- Jun 17, 2016 Puzzling and Playing Jun 17, 2016
- Jun 10, 2016 St.Claire Art Studio Tour Jun 10, 2016
- Jun 6, 2016 Hominy Valley Jun 6, 2016
- May 25, 2016 "The Acolytes" is installed in Georgetown, SC May 25, 2016
- May 19, 2016 "Zuma" May 19, 2016
- May 18, 2016 Fishy Art May 18, 2016
- May 13, 2016 "The Journey" May 13, 2016
- May 10, 2016 Hyatt Ridge (26" x 16") May 10, 2016
- May 5, 2016 "Broad River in October" May 5, 2016
- May 2, 2016 A Blast From the Past May 2, 2016
- Apr 22, 2016 Beginnings II Apr 22, 2016
- Apr 21, 2016 Appalachian Panorama Apr 21, 2016
- Apr 18, 2016 "How do you get the aluminum on the painting?" Apr 18, 2016
- Apr 14, 2016 Beginnings Apr 14, 2016
- Mar 24, 2016 St. Claire Art News & Updates Mar 24, 2016
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