Using Complimentary Colors for Shading

Most people, when shading something, instinctively just add black or gray to darken a color. But there’s a much more vibrant and interesting way: using complementary colors for shading!

Instead of mixing black into a color (which can sometimes make it look dull or muddy), you can shade by adding a bit of its complementary color. For example, if you’re painting a bright yellow lemon, instead of reaching for black to create shadows, you could mix a little purple into your yellow. The result? A deeper, richer shadow that still feels colorful and alive.

“The key is blending gently.”

This trick works because complementary colors naturally tone each other down without making the color look lifeless. It also keeps your artwork looking more dynamic and natural, especially since shadows in real life often have subtle color shifts rather than being just plain gray.

Here’s a quick tip: the key is blending gently. You usually don’t want a harsh clash between the two complements — just a subtle shift that deepens the color. Start by adding tiny amounts of the complementary color and adjust until you get the shade you want.

Complementary shading is especially popular in painting, but it also works great in colored pencil work, pastels, or digital art. It’s one of those small techniques that can make your colors feel more professional and full of life.

Once you get the hang of it, you’ll wonder how you ever shaded without it!

How and When to use Complimentary Colors

Complementary colors are one of the simplest but most powerful tools an artist can use to make their work pop. These are colors that sit opposite each other on the color wheel — like red and green, blue and orange, or yellow and purple. When placed side by side, complementary colors create a strong contrast that can instantly catch a viewer’s eye.

The best time to use complementary colors is when you want to create energy, excitement, or a clear focal point in your art. For example, if you paint a bright orange sunset behind a deep blue ocean, both colors will look more vibrant because of how they react against each other. The contrast makes each color seem even more intense.

“The best time to use complementary colors is when you want to create energy…”

You can also use complementary colors in smaller doses to draw attention to specific areas of a painting. A mostly green landscape with a few bright red flowers will naturally guide the viewer’s eye to the flowers without needing any extra tricks.

However, it’s important to use complementary colors thoughtfully. Too much of them side by side can be overwhelming or even uncomfortable to look at. One trick is to choose one color as the dominant color and use its complement just for accents. This creates a balanced, dynamic effect without overpowering the piece.

Complementary colors are not just for paintings, either. Designers, photographers, and even fashion stylists use them to create bold, memorable looks.

Once you start paying attention, you’ll see complementary colors everywhere — in nature, in ads, in your favorite artworks. Learning how and when to use them gives your art an extra level of impact that feels both exciting and natural.

Perspective in Art 101: How to Make Your Drawings Pop Off the Page

Have you ever seen a painting that looks so real, it feels like you could step right into it? That’s thanks to perspective — the artist’s secret weapon for making flat surfaces feel deep and full of space.

At its core, perspective is all about creating the illusion of depth. Early artists didn’t really use it, which is why medieval paintings often look a little flat and stacked. But once the Renaissance rolled around, artists like Brunelleschi and Leonardo da Vinci figured out the magic of linear perspective. The trick? Parallel lines seem to meet at a point on the horizon, called the vanishing point. Imagine standing on a long road and watching the sides of the road appear to get closer together far off in the distance — that’s perspective doing its thing.

But there’s more! Artists also use size to show distance — closer objects look bigger, and faraway ones shrink. They layer and overlap shapes to show what’s in front and what’s behind. Plus, there’s a cool trick called atmospheric perspective: colors get lighter, bluer, and blurrier the farther away something is, just like real mountains look hazier from far away.

The best part? You don’t need to be a master to start using perspective in your own art. Start by finding the horizon line, pick a vanishing point, and let your lines guide you. It can turn a simple sketch of a street, a building, or even a forest into something that feels way more alive.

So next time you look at a painting — or try one yourself — pay attention to how space is created. Perspective isn’t just a fancy art word — it’s the key to making your drawings pop off the page and pull people right in.

Staying Creative

When I think about the most creative people I know, I don’t think of famous artists or designers—I think of kids. They’ll turn a stick into a sword, a blanket into a cape, and a cardboard box into a spaceship without hesitation. No second guessing. Just pure imagination. Somewhere along the way, most of us lose that. But I’ve realized it doesn’t have to be gone for good.

For me, staying creative like a kid starts with staying curious. I try to ask more questions—not just about art, but about everything. Why does light hit that wall like that? What would happen if I mixed these two ideas? When I stay curious, I stay open—and that’s when the good stuff starts to show up.

Another thing I’ve learned: play matters. I used to think every creative session had to be productive. Now, I let myself mess around more. I scribble, I doodle, I experiment with no real goal. That’s when things get interesting—when there’s no pressure to be brilliant.

“…play matters.”

And honestly, I’ve had to work on letting go of the fear of looking ridiculous. Kids don’t care if their drawing makes sense—they’re just in it for the joy. I try to tap into that. The less I judge my work while I’m making it, the freer I feel.

I also find that reconnecting with my senses—walking outside, watching how shadows move, noticing tiny details—keeps me grounded and inspired. The world is full of little sparks if I actually take the time to look.

Mostly, I just try to keep that sense of wonder alive. The world’s still magical, if I let it be. And when I do, creativity follows—just like it did when I was a kid.

Periods of Art: Baroque

As an artist today, it’s really easy for me to forget that whatever techniques I have come up with and whatever subject matter I choose to paint, I stand on the shoulders of uncountable artists before me. There is truly nothing new under the sun. Everything has its origins story. So much of my story has to do with art, so I wanted to think through the different periods of art and consider “where I’ve come from”.

I wanted to start with the Baroque period. The Baroque period in art, which lasted from the late 16th century to the early 18th century, was a time of big change and dramatic expression in Europe. It followed the Renaissance, picking up on its achievements but pushing them to new extremes. The style is known for its boldness, emotion, and movement, and it was shaped by major historical events like the Counter-Reformation, the rise of powerful monarchies, and the growing interest in science and exploration.

Baroque artists wanted to create works that made people feel something strong—whether it was awe, wonder, or intense emotion. They used dramatic contrasts of light and dark (called chiaroscuro), vivid colors, and dynamic compositions to bring their paintings, sculptures, and buildings to life. Unlike the calm and balanced art of the Renaissance, Baroque art often felt full of energy and drama, meant to catch the viewer’s attention and stir deep emotions.

Baroque artists wanted to create works that made people feel something strong

A major influence on Baroque art was the Catholic Church, especially during the Counter-Reformation. The Church wanted to inspire people’s faith and showcase its power in the face of the Protestant Reformation. To do this, they commissioned large, powerful works of art that depicted religious scenes with vivid realism. Artists like Caravaggio made Biblical stories feel immediate and relatable by using light to emphasize the emotion of a scene. Sculptors like Gian Lorenzo Bernini created works that invited viewers to step into the action, like his famous “Ecstasy of Saint Teresa,” which combines architecture and sculpture to create an immersive experience.

Baroque architecture also focused on grandeur and movement. Buildings like St. Peter’s Basilica in Rome, with its sweeping curves and lavish decorations, reflected the style’s emphasis on awe and splendor.

Artists like Rembrandt and Peter Paul Rubens brought the Baroque style to life in their own ways, using deep emotion and dramatic scenes to make their work stand out. Though the Baroque period eventually gave way to styles like Rococo and Neoclassicism, its influence on Western art remains strong, celebrated for its emotional depth and technical brilliance.

Ornate whispers call,
Motion spins through golden frames—
Grandeur fills the air.

Exploring the Golden Ratio in Art

The Golden Ratio, also known as the Divine Proportion or Phi (about 1.618), has captivated artists, architects, and mathematicians for centuries. This mathematical concept is celebrated for creating harmony and aesthetic appeal in various art forms. But how do artists use the Golden Ratio? Let's explore its fascinating applications.

The Golden Ratio comes from the Fibonacci sequence, where each number is the sum of the two before it (0, 1, 1, 2, 3, 5, 8, 13, etc.). As the sequence progresses, the ratio between successive numbers gets closer to the Golden Ratio (1.618). This unique proportion means the whole is to the larger part as the larger part is to the smaller, creating a visually pleasing effect.

The Golden Ratio has ancient roots, particularly in Greek culture, where mathematicians like Euclid and Pythagoras explored its properties. It gained prominence during the Renaissance, with artists like Leonardo da Vinci and Michelangelo using it in their masterpieces. The Vitruvian Man and the composition of The Last Supper are prime examples of the Golden Ratio creating balance and harmony.

How Artists Use the Golden Ratio

Artists often use the Golden Ratio to divide their canvases into appealing proportions. By placing focal points along the Golden Ratio lines, they create compositions that naturally attract the viewer's eye. This technique is found in classical paintings, photography, and modern graphic design, helping to achieve balance and elegance.

The human body is a central subject in art, and the Golden Ratio helps achieve idealized proportions. Leonardo da Vinci's Vitruvian Man is a perfect example, with the human form mapped according to the Golden Ratio. This principle helps artists create balanced and naturally pleasing figures.

The Golden Ratio extends beyond visual art into architecture and design. Iconic structures like the Parthenon in Athens, the Egyptian pyramids, and modern buildings like the Guggenheim Museum in New York use these proportions. This application is also found in everyday objects, from furniture to logos, ensuring functionality and visual appeal.

The Golden Ratio appears in nature too, not just human creations. Spiral patterns in shells, leaf arrangements, and even animal body proportions follow this ratio. Artists often draw inspiration from these natural examples, creating works that resonate with the beauty of the natural world.

The Golden Ratio's allure lies in its ability to create harmonious and balanced compositions. By understanding and applying this ratio, artists can enhance their work's aesthetic quality, drawing viewers in with a sense of natural beauty and proportion. Whether in ancient sculptures, Renaissance paintings, or contemporary designs, the Golden Ratio remains a timeless tool in the artist's toolkit.

"So how do you DO this?"

Behind the Scenes: my process

One of the things that’s most fun for me about my painting career is that I made up (or more accurately) am making up the technique every day I paint. To do that requires basic knowledge of color and proportions (thank you art school!) but the rest takes a sense of daring and exploration. It takes a huge dose of “I don’t care if I fail at this idea — I just want to see if this works” kind of attitude. About half of the main basic steps of what has become my technique were arrived at by exploring, and honestly, they were what I thought at the moment to be mistakes. But then the next day, I’d pull out the painting again and stare at it and (sometimes) be surprised at how the ingredients chemically reacted with each other overnight. Sometimes the result was horrendous; sometimes amazing. For the latter outcome, it was then a matter of trying to remember what all went into creating the results.

So what exactly is the technique I came up with? The core is a secret. It will be revealed at the reading of my will. Just kidding. :). But yeah, I don’t share everything. But here is what I DO share.

Step 1: Find some really good inspirational photos I can use for color reference.

Step 2: Create a pencil sketch on my canvas.

Step 3: Build up the sketch with layers and layers of gesso and modeling compound so that the sketch becomes dimensional

Step 4: Cover the entire textured surface of the painting with metallic leaf.

Step 5: Apply many layers of paint onto the surface.

Step 6: Seal the painting with either satin varnish or solar resistant resin.

That’s it! Easy huh? It’s actually not easy at all.  Through the years, we’ve had to call chemists and pick their brains about why the paint did this or that. To develop this technique, I’ve made so many, many mistakes but that’s how you invent anything really. I kind of enjoy being half artist, half mad scientist. At least I’ve not blown up anything yet (that only happens when I’m in the kitchen).

Discovering the Bond Between Nature and Art

I think that the beauty and grandeur of nature has long been a profound source of inspiration for artists. From the intricate patterns of leaves to the vastness of landscapes, the natural world offers endless possibilities for creative expression. When an artist sees something awesome, he or she is compelled to express that awe. I wanted to take a few minutes and explore how nature and art intertwine, creating a harmonious relationship that has captivated artists and audiences alike for centuries.

Nature’s Role in Art

Nature serves as both a muse and a medium for artists. The beauty, diversity, and complexity of the natural world provide a rich tapestry of subjects to explore. Artists like J.M.W. Turner, for example, use elements from nature such as leaves, branches, and flowers to create stunning pieces that blur the lines between art and nature. Her work is a testament to the deep connection between the two, showcasing how natural elements can be transformed into captivating art.

Historical Insights

Throughout history, artists have turned to nature for inspiration. The Romantic movement in the 19th century, for instance, emphasized the sublime beauty of nature, with artists like John Constable and Caspar David Friedrich creating dramatic landscapes that evoke a sense of awe and wonder. Similarly, the Impressionists, including Renoir and Degas, captured the fleeting effects of light and color in their depictions of natural scenes.

Contemporary Views

In contemporary art, the connection between nature and art continues to evolve. Artists are increasingly using their work to address environmental issues and promote sustainability. The movement of sustainable art, for example, encourages us to think more deeply about our impact on the planet and how we can use art to foster a greater appreciation for the natural world.

Art as a Conservation Tool

Art has the power to raise awareness about environmental conservation. Organizations like Artists for Conservation use art to support nature through their work, often donating a portion of their sales to conservation efforts. This not only highlights the beauty of the natural world but also underscores the importance of preserving it for future generations.

Really, the connection between nature and art is a testament to the enduring bond between humanity and the natural world. Through art, we can celebrate, contemplate, and preserve the wonders of nature, ensuring that its beauty continues to inspire and enrich our lives. Whether through traditional landscapes or innovative sustainable art, the relationship between nature and art remains a powerful and dynamic force in the world of creativity.

Book Review: The Artist’s Way

If you’re an artist looking for a game-changer, you’ve got to check out “The Artist’s Way” by Julia Cameron. This book is often praised as a must-read for anyone wanting to unlock their creativity and get past those pesky creative blocks. I went through it years ago and it continues to encourage creativity in me every time I refer to it.

OVERVIEW: “The Artist’s Way” is set up as a 12-week program to help you tap into your creative potential. Cameron introduces some cool exercises and tools, like Morning Pages (daily writing exercises) and Artist Dates (solo outings to nurture your inner artist). These activities are all about self-discovery and artistic growth. These Artist Dates were my favorite part of the book. You don’t often take time to just rest your mind and play and discover. That’s something we’ve lost since we were kids. The whole concept helps you rediscover the joy of discovery and play.

KEY THEMES OF THE BOOK

Creative Recovery: The author talks a lot about getting back in touch with your creative self, which might have been buried under self-doubt, criticism, or just life in general.

Spiritual Path: The book takes a spiritual approach to creativity, encouraging you to see your artistic journey as a kind of spiritual practice.

Practical Exercises: Each chapter is packed with practical exercises and tasks to help you explore your creativity in a structured way.

IMPACT: Many artists and creatives swear by “The Artist’s Way” as a life-changing resource. It not only helps you overcome creative blocks but also deepens your connection with your artistic self. The book’s mix of practical exercises and spiritual insights makes it a unique and powerful guide for anyone looking to boost their creative journey.

Overcoming Artist’s Block: Practical Tips

“I look into my creative soul for an idea…ANY idea. And it’s just a dark, silent abyss. I have absolutely nothing creative going on in my head. What do I do to get that spark back?”

First of all, look…every artist faces artist’s block at some point. It can be frustrating, but it’s a natural part of the creative process, so please be kind to yourself. I don’t have a cure-all, but I do have a few ideas you might try that have helped me:

 1. Start Creating Sometimes, the best way to overcome a block is to simply start. Put something—anything—on the canvas or sketch pad. It doesn’t have to be perfect. The act of creating can help break the inertia and get your creative juices flowing. 

2. Change Your Surroundings A change of scenery can do wonders for your creativity. Travel, visit an art museum, or even just take a walk in a new neighborhood. New experiences can provide fresh inspiration and new perspectives. 

“Creative block can be frustrating, but it’s a natural part of the creative process…”

3. Try Creative Exercises Engage in different creative exercises to stimulate your mind. This could be doodling, experimenting with new materials, or trying a different art style. These exercises can help you break out of your routine and spark new ideas. 

4. Take a Break Sometimes, the best thing you can do is step away from your work. Take a break, do something you enjoy, and give yourself time to recharge. When you return to your art, you may find that you have a fresh perspective. 

5. Seek Inspiration Look for inspiration in other artists’ work, read inspirational art quotes, or watch documentaries about artists. Seeing how others overcome their challenges can motivate you to push through your own block. 

6. Set Small Goals Break your project into smaller tasks and set achievable goals. This can make the process feel less overwhelming and help you build momentum as you complete each step. 

Trust me, artist’s block is a common challenge, but it doesn’t have to halt your creativity. Every artist goes through this at some point. Like it or not, it’s just part of the journey. If you have an idea for something that’s helped you, please by all means share that idea here in the comments!