asheville

Of Mountains and Oceans

“Teahupoo Thunder” (36” x 60”)

“Teahupoo Thunder” (36” x 60”)

Last January (over six months ago now), I woke up in the middle of the night with a couple of ideas for two very impractical paintings. As I explained in a previous blog, I don’t usually TRY to paint an impractical subject matter, because impractical ideas are often “hard sells” in Asheville. Because I am a full time painter in the River Arts District, I don’t have the luxury of a “public-opinions-be-damned” sort of attitude. If people don’t like my artwork or can't relate to it, they aren’t going to buy it. Does this make me a “sell out”? I’ll let the reader decide that, but the bank really likes it when I pay my mortgage. Thankfully, most of what I know sells off my walls is an absolute joy to create, so I really am not the “angsty” sort of artist. But every now and then, I just have to paint something whether or not I think it will sell. And thankfully, my wife Joy is wholly supportive of those times because it’s at these points I grow as an artist.

So last winter, I had in my head a view of a crashing wave and a craggy, snow-capped mountain. For the wave, I wanted to depict the violent force of the water slamming into the shoreline. The challenge for the wave was to depict movement and to keep the shapes “soft” and fluid. And I knew I had to apply the white paint LAST because white is a very opaque color of paint and because I’m painting on top of textured metallic leaf, I will ruin a painting if the paint is applied in a manner that blocks the light from penetrating the paint (so it can then bounce back off the metallic background layer). So I worked with varying shades of blues and greens for 90% of the piece, and then finally applied all the white at the very end.

“Top of the World” (48” x 36”)

“Top of the World” (48” x 36”)

For the mountain scene, I combined several photos of the Himalayan mountain peaks because, well…because if you want to do it right, you might as well use the tallest mountains in the world for inspiration, right? This one was a challenge simply because it’s basically shades of just three colors: Blue, black and white.

So…maybe my definition of “impractical” is all washed up.

Both of these pieces are “impractical” as far as my Asheville clientele simply because a couple from Poughkeepsie that are walking down the street to my art studio in Asheville will not talking with each other about “do you think he’ll have any paintings of the ocean or the Himalayas?” People generally want to purchase a painting to remind them of their trip to Asheville, so…these two pieces are in the impractical category.

That’s okay. I can totally live with that. But I have to say, after I hung these on the wall for their grand debut yesterday morning, they got all sorts of really positive attention all day long. So…maybe my definition of “impractical” is all washed up. Honestly, I’d like that very much!

"What are you Working on These Days?"

My Happy Mess

My Happy Mess

I had a client come into my art studio last week and he asked what I was working on these days. After I recounted some of the projects I’ve got in process, I thought “Wow, I’m really busy!” Thankfully, this has been a very busy season so far and I have lots on my plate and lots more projects I have in mind. So where to start?

  • I’ve got a three month show coming up in the summer at one of the premier hotel/restaurants in downtown Asheville. This will require 10 to 12 paintings, with more waiting “in the wings” to replace pieces as they sell (thinking positive here). Most of those paintings are completed now and ready for the show.

  • I am finishing up a commission (just completed today actually) for a couple that got married in Maine. The wedding venue had an amazing view of the mountains, so that vista was what I painted for their anniversary present to each other. I love creating a painting that’s not only a nice piece of artwork (hopefully!) but actually means something to the client. This one very definitely means a lot to them. How cool is that?

  • I’m also working on a rather large piece for a client that lives on a mountainside just south of Asheville. The view from their back deck is really spectacular so I’m creating a sunset inspired piece from the viewpoint of their back deck. This one is nearly completed now as well.

  • I just finished up a set of eight new pieces and have started a brand new 8-piece set to get ready for our busy summer season. Most of these paintings are on the smaller size (like 16” x 20” and 18” x 24”) so it’s easier on the wallet (since my prices are determined by the size). Come by this summer and there will be a lot to see!

How boring would life be if the motivation for everything we did was simply because it was practical?”

  • I saved the completely impractical (but really fun) projects for last in this list. This year, I wanted to depict a very large wave crashing on rocks and I just finished the line drawing of that composition on the canvas last week. The other project is a jagged peak of a mountain (up close view). I know…I’m in Asheville and how do I expect to sell a crashing wave (we’re five hours from the ocean and we only get huge waves here when there’s a hurricane) and we’re about a 30 hour drive from the nearest “jagged” mountains. So the reason I’m painting these two is because I want to. I don’t really care if these sell or not. I may end up with these on my own wall and if that’s the case, I’m very much okay with that. How boring would life be if the motivation for everything we did was simply because it was practical?” Seriously, I’d be excited if they don’t sell because I wouldn’t mind ending up with two of my very best pieces (and that’s what I intend to create). That said, if. you like waves and/or mountains, let’s talk. :)

Well, that about sums up the current work load of this Asheville artist. If you’re planning a trip to visit western North Carolina this year, please make sure you include our art studio (in Asheville’s historic River Arts District) in your itinerary. With over 220 artists with open art studios, you could spend a whole day browsing artwork and meeting artists. Cheers!

Preliminary Photos of my "Sails" Prototypes

So (drum roll please), I’m ready for the “soft” unveiling of my “sails” experiment. Normally, I’d wait until I finish a painting to take it’s completion photos, and these three prototypes are still technically pre-completed, as they still need a layer of resin and edges cleaned up. That said, I couldn’t wait any longer to at least post some photos of the pieces. Usually, when I experiment with something, some things go right and some things go wrong, so you shape an idea into what it will be. This time though, there was no shaping…it just all happened exactly to plan. Trust me…that’s unusual.

This project posed some challenges though. First, I had to find a substrate that would easily bend. Then I had to find a material I can use for the texture the would also flex. Once I figured this out though, the rest was easy.

I’m really happy with these, and I think the possibilities are really exciting. These prototypes are only about 20” tall, but what if they were 4’ tall? The panels here are all mounted in two parallel hardwood tracks, but what if they’ were mounted at different angles? What if they overlapped each other? Sorry, this is how my mind works. The “what if’s” never stop until I try it and see.

Back to work for now. More to come.

”Azure Sails”

”Azure Sails”

“Aegean Sails”

“Aegean Sails”

“Crimson Sails”

“Crimson Sails”

New Idea Taking Shape

Contemporary Art

2019 has gone great so far! Even in this “slow” season in Asheville’s River Arts District, art is still being sold (THANK YOU!!) and commissions worked on feverishly. And…there’s even been time for me to develop my new type of artwork: the SAILS. The above photo is the beginning of my new “sail” art idea. This thin panel is shown begin covered with texture. The texture is important because it not only makes the eventual painting more interesting, it catches light and creates shadows. That’s especially important with a piece of artwork that is “abstract” in nature. The challenge with the texture is that it needs to be FLEXIBLE. It’s flexible because eventually, this panel will be permanently set in a flexed position as it attaches to the wall. So I can’t use my “go to” materials (modeling compound and gesso) because they will crack when flexed. But after some experimenting (and several trips to several art supply stores), I landed on the right material.

Panel here is textured and sealed, ready for the metallic leaf application

Panel here is textured and sealed, ready for the metallic leaf application

Initially, was picturing these panels in flexed positions in a vertical or horizontal row. The three prototype pieces i’m working on now all fit into hardwood track that will mount onto the wall. But there is no reason why the finished piece of artwork would HAVE to mount in a row. They could be mounted individually at angles to each other, some mounted concave, some convex. Why not? It’s just a matter of finding the right mounting hardware (which I have by the way). Eventually, I’m seeing this turn into something that would be luminous, undulating and covering a couple dozen feet (or more??) of a wall.

So…between my winter art commission projects, I’m still plodding ahead with this new idea, having a blast, and gratified the idea seems to be working (so far) without a hitch. Fingers crossed…going forward; sailing ahead!

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Looking Back and Looking Ahead

In thinking about one year closing and another just beginning, I guess I'm not alone in getting a bit introspective regarding the accomplishments of this past year, and excited about the possibilities of the next. So to just get these things out of my head and on virtual paper, I’ll take advantage of this blog and record my thoughts and dreams here. So, in looking back…

2018 was very good to us. Here are some of the highlights:

1) Individual customer base grew to the highest level to date. See, there are basically three ways I sell paintings: individual clients who are purchasing artwork for their home during their trip to Asheville, sales from art galleries that represent me, and corporate / institutional jobs (public art, art installations, things like that). So the fact that more individual sales happened in 2018 is really, really encouraging.

2) Earlier last spring, I came up with a new method of creating an abstract painting. It involves applying texture to the canvas and then applying the metallic leaf, then drizzling resin over the entire piece in a random design or grid. Then when the resin sets, I add the paint in the "resin valleys" and then finish it all off with more layers of resin.

3) Just at the tail end of the year, I came up with a new form of installation art which will literally billow out from the wall. I've tested individual elements of the idea and so far, each test has worked awesomely. In the next few weeks, I'll be working on three prototypes. These will just be 20" x 24" pieces, but if this works (and I'm very positive about it so far), this concept could be accomplished with 4' tall panels, or eight foot tall panels, extending to whatever length desired to fill up the space.

And here are some of the things on my wish list for 2019:

1) Find more key galleries around the country that would represent me. This would result in "spreading out the sales" and income sources so that most does not just depend on Asheville, North Carolina. This seems wise. It would also be fun more me because I could expand the landscape themes I could paint.

2) Locate and work with more interior designers so that my corporate work would grow. These are really fun projects just because of the possible scale of them.

3) Develop and market my new "sail-form" art panels (see point three above). In my head, these could be really cool because the surface reflecting the light and holding the paint layers would be bent, so the colors would differ greatly from top to bottom and/or side to side. That could be really interesting.

I'm really, really grateful that I can now make a living doing what I absolutely love to do. This is something I never want to take for granted. And I'm really excited about dreaming together with my wife Joy regarding goals and ideas and possibilities for the next year. You never know the ride a year (or even a day) can take you on, but I'm ready to take a deep breath and dive right in! Wooo hooo!

Percolating Creativity

asheville river arts district.JPG

I love it when this happens. I’m consumed with this new concept for artwork. I’ve now got all my “ingredients” together to fabricate three prototypes and then…if…it…works, I’ll release them into the world. Pardon the drama. I’m excited.

Two blog posts ago, I mentioned that I was thinking about a new concept for artwork…a “sail” shape that would billow out from the wall. I’ve figured out how to make it secure and stay in place and hold the shape I dictate, so that’s good (see my last post “So then” for more info on that). But what’s blowing my brain is that there is so much I could potentially DO with this. I’m thinking of boring holes in the sail shapes, creating voids. I’m thinking of playing with strips with or instead of (in some cases) the sail shapes and bending them around each other (like a bent wood sculpture does). But the surface of all component sheets would be texturized with a flexible agent, covered with my metallic leaf, paint and one layer of resin. These shapes will be luminous and not contained to a single plain.

The next step will happen after the holidays, and that’s the fabrication of the first prototype. If that works (and per my experimentation, I’m pretty sure it will work now), my next post will include photos of all the prototypes.

In my Asheville art studio, I will probably always paint mostly landscape paintings (and that’s because I love painting landscapes!) but I do really enjoy creating abstract art as well. These would in a sense be abstract. The colors will be simple, but because the surface will be reflecting light through my paint, AND because as the surface bends and each inch of the surface catches light differently than the next, I’m thinking the result will be something visually rich, graceful and dynamic.

Well, that’s the plan. :)

We’ll see what happens. Stay tuned!

Recent Projects on my Plate

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My gosh, the life of an artist is so much fun, but can be really busy this time of year! I’m so thankful for that! I’m still amazed I can do what is (for me) the most fun thing I can think of doing and be able to make a living doing it.

Currently, I’ve got twelve paintings in various stages of creation that will end up in my open art studio / gallery in Asheville’s River Arts District. These are mostly local landscapes with a few “generic” themed landscape pieces. When I paint for my studio, I have to consider the fact that visitors are mostly tourists that would like a piece of art to remind them of their trip to Asheville. I’ve learned over the years that venturing too far off the path (of local themed paintings) is not a great idea if I want the art to sell (and I do).

And so far, I have six commissions lined up for a January start date! Here are my assignments:

1) 44” x 72” piece that depicts the view off the back deck of my clients house near the tip of Long Island, NY. This will feature some trees in the foreground, and wetlands with cattails and fishing docks in the mid-ground and the sparkling water of the bay in the background.

2) I have a 24” x 72” piece that is a panorama of woodlands at the tail end of summer, so the trees will be mostly green leafed, but with a hint of gold and rust thrown in here and there.

3) 12” x 35” spray of orchids. This will be fun and challenging because the orchids will be built up and sculpted onto the canvas, then covered with the aluminum leaf and paint.

4) Two 8” x 10” paintings of birch trees during summer and autumn (to go with another two I did last year for this client featuring birch trees in spring and winter) so this will make a complete four seasons group.

5) A 36” x 36” painting depicting a scene from the Netherlands. My clients are using their own photo for this one (I love it when people feel the freedom to do that!)

6) A 24” x 40” painting featuring a scene on the Biltmore Estate of an old oak tree overhanging the French Broad River in autumn.

So that’s what’s on my plate right now. That should be enough to keep me busy and out of trouble for a while anyway! Huge thanks to everyone that has asked for commissions! I’m offering a 20% discount on any commission ordered now but that I can start after the holidays. So if you’d like to own one of my paintings at a discount, now’s the time to inquire about it!

Okay, enough blogging. I obviously have to get back to painting!