Art Blog
This blog is for posting photos of new art pieces and the random thoughts of oil painter Stephen St. Claire.
What can I learn from Leonardo da Vinci in 2025?
As I try to navigate life as an artist in 2025, I sometimes find myself (usually in the midst of boredom) trying to incorporate different creative interests—sketching, writing, studying, problem-solving. Sometimes, it feels crazy because there’s no way anyone would have the emotional, spiritual (or physical) stamina to pursue all those areas of creativity. But…then I think of Leonardo da Vinci. This guy painted The Last Supper and the Mona Lisa, yes—but he was also an engineer, a botanist, an anatomist, an inventor, a dreamer. And somehow, all of it was part of his art.
Da Vinci reminds me that curiosity is not a distraction—it’s fuel. He didn’t believe in separating disciplines. He sketched flying machines alongside studies of lilies. He dissected cadavers not out of morbidity but to understand how the body moved, so he could paint it more truthfully. I mean, that’s dedication. He kept notebooks full of questions, diagrams, and observations. That kind of restless, generous mind feels incredibly modern to me.
“Learning never exhausts the mind. It ignites it.”
We live in a time that often pressures us to specialize, to brand ourselves. But Leonardo teaches me that it’s okay—even essential—to stay wide open. That following your curiosity wherever it leads can actually deepen your work, not dilute it.
If I’m paying attention to his life, I also learn that “unfinished” doesn’t mean “unworthy”. Many of his paintings were left incomplete. He was slow, meticulous, and sometimes paralyzed by his own perfectionism. That hits home. I’ve learned that sometimes the fear of not getting it “right” can block the very thing I’m trying to express. But Leonardo’s notebooks, his questions, his explorations—they’re just as valuable as the paintings he completed. Maybe more.
And…there’s this: Leonardo never stopped observing and I love that. He watched water swirl. He tracked how birds flew. He studied the way lips curved when someone smiled. That kind of attention—to both the world and the self—is a practice I try to carry into my own work.
Leonardo da Vinci wasn’t just a genius. He was a student of everything, forever in awe of the world. And in 2025, in a world of fast takes and shallow scrolls, his life reminds all of us that it’s okay (even essential) to slow down, look closely, ask questions, and let wonder lead the way.
What can I learn from Michelangelo in 2025?
As a full-time working artist in 2025, I sometimes get caught between wanting to create freely and feeling pressure to “master” everything—to be fast, visible, accomplished. Honestly, that tension is what stops a lot of really creative people form going forward with their craft. Then I read about Michelangelo and am shamed (in a really good way though). His name feels almost too large to touch, like he belongs in textbooks and marble halls. But when I look closer, I see an artist who wrestled deeply with his work, with himself, and with what it meant to make something meaningful in a complicated world. I really like that.
Michelangelo wasn’t just gifted—he was obsessed. He worked with intensity, solitude, and relentless drive. He carved, painted, sketched, designed buildings. He labored over details that most people would never see. He pushed himself physically and emotionally to the point of exhaustion. And yet, he kept creating—not for fame, but because he had to.
“If people knew how hard I worked to get my mastery, it wouldn't seem so wonderful at all.”
That quote says everything. In a culture that often glorifies talent and instant success, Michelangelo reminds me that greatness comes from discipline, sacrifice, and focus over time. It’s okay to work slowly. It’s okay to struggle. The work should challenge us.
What also strikes me is how spiritually driven he was. Whether or not you share his beliefs, there’s something powerful in the way he treated art as a calling—a bridge between the earthly and the divine. In a time where so much feels transactional, he reminds me that art can still be sacred.
He also lived with contradiction. He was intensely private but created public masterpieces. He loved the male form but lived in a culture that condemned it. He was a sculptor who painted the Sistine Chapel ceiling because he had to, not because he wanted to. There’s something reassuring about that complexity. It tells me that we don’t have to be perfectly aligned to create powerful work—we just have to keep showing up.
Michelangelo’s life teaches me that art isn’t just about beauty. It’s about devotion, wrestling, patience, and faith—in the process, in the craft, and in the possibility of saying something that lasts.
Staying Creative
When I think about the most creative people I know, I don’t think of famous artists or designers—I think of kids. They’ll turn a stick into a sword, a blanket into a cape, and a cardboard box into a spaceship without hesitation. No second guessing. Just pure imagination. Somewhere along the way, most of us lose that. But I’ve realized it doesn’t have to be gone for good.
For me, staying creative like a kid starts with staying curious. I try to ask more questions—not just about art, but about everything. Why does light hit that wall like that? What would happen if I mixed these two ideas? When I stay curious, I stay open—and that’s when the good stuff starts to show up.
Another thing I’ve learned: play matters. I used to think every creative session had to be productive. Now, I let myself mess around more. I scribble, I doodle, I experiment with no real goal. That’s when things get interesting—when there’s no pressure to be brilliant.
“…play matters.”
And honestly, I’ve had to work on letting go of the fear of looking ridiculous. Kids don’t care if their drawing makes sense—they’re just in it for the joy. I try to tap into that. The less I judge my work while I’m making it, the freer I feel.
I also find that reconnecting with my senses—walking outside, watching how shadows move, noticing tiny details—keeps me grounded and inspired. The world is full of little sparks if I actually take the time to look.
Mostly, I just try to keep that sense of wonder alive. The world’s still magical, if I let it be. And when I do, creativity follows—just like it did when I was a kid.
The Quiet Labor
With calloused hands and steady gaze,
The artist meets the morning haze.
Each dawn arrives, serene and still,
A canvas waits beneath his will.
A single stroke, then pause, then two—
He listens for what's good and true.
The paint may speak, the wood may sigh,
And clay holds dreams not seen by eye.
He does not rush the shaping flame,
For beauty’s not a thing to tame.
And patience walks beside his hand,
A quiet force that helps him stand.
He feels the soul in stone and grain,
In weathered knots and lines of strain.
Within the flaws, he finds the thread,
Of stories time has left unsaid.
The floor is strewn with starts and drafts,
Each one a step along his craft.
He toils not for the world’s acclaim,
But for the fire that has no name.
He works for love, not fleeting praise,
To bring forth light from shadowed days.
To build from nothing something true,
And say, “This is my gift to you.”
Each pigment mixed, each chisel’s trace,
Speaks quiet hope and boundless grace.
A silent hymn, a guiding spark,
For souls who wander in the dark.
He does not seek the hurried cheer,
But plants his art and waits the year.
As seasons turn, so does his hand,
In rhythm only hearts understand.
For art is not a race to win,
But something slow, and deep within.
It calls for time, for care, for truth,
For weathered hands and dreams of youth.
So let him work, and let him be,
A steward of what few can see.
A patient soul, a sacred part,
The quiet labor of the heart.
"What was it like going to art school?"
I was asked recently about my own experience at art school. Actually, I attended a Design school, and though art was a large part of the training, the education at Art Center College of Design was much more extensive than just art. Attending Art Center College of Design in Pasadena, California, really was one of the most unforgettable chapters of my life. Out of all the memories I made during my time there, one experience stands out above the rest—the collaborative design project in my third term.
That project was part of a transdisciplinary course where students from different design backgrounds, like graphic design, industrial design, and interaction design, teamed up. Our goal was to come up with a product that would make urban life better. Working with such a talented and diverse group of people opened my eyes to new ways of thinking and solving problems. Each person brought something unique to the table, and that blend of creativity was electric.
“(this was) really was one of the most unforgettable chapters of my life…”
Our team landed on the idea of creating a modular public seating system that could adapt to different urban spaces. I focused on the visual branding and user interface, while my teammates handled product engineering and environmental design. We hit some roadblocks trying to balance style with function, but we worked through every challenge together, determined to make something both beautiful and practical.
What made the experience even more special was the feedback we got from our instructors and visiting professionals. Their honest critiques pushed us to keep improving and paying attention to every little detail. Art Center had this way of demanding the best from us, and it made us better designers.
The day we presented our final prototype at the end-of-term showcase was one I’ll never forget. Seeing our hard work come to life and hearing positive reactions from our peers and industry pros made it all worth it. It was a real reminder of how design can shape the world around us.
That project at Art Center didn’t just sharpen my design skills—it taught me the value of teamwork, resilience, and staying open to new ideas. It was a perfect example of what Art Center stands for: excellence, innovation, and pushing creative boundaries. Those lessons and memories will stay with me wherever my career takes me.
The Connection Between Art and Grief
Correctly expressing Grief is one of the hardest things I’ve ever had to figure out. I’ve tried ignoring it and pretending everything was okay; I’ve inappropriately lashed out when grief-induced frustration pushed me over the edge, and that did nothing to deal with the grief behind the frustration. Losing someone you love or something you really enjoyed leaves a hole that feels impossible to fill, and for a long time, I didn’t know how to deal with it. I struggled to find the right words to express what I was feeling, and the weight of my emotions felt unbearable. But art became my outlet, my escape, and ultimately, my way of healing.
One of the most powerful things art did for me was give me a way to express emotions I couldn’t put into words. When I was overwhelmed with sadness, I would pick up a paintbrush and let the colors tell my story. Some days, the strokes were chaotic and angry; other days, they were soft and sorrowful. Even though I wasn’t always sure what I was painting, the process itself helped me release emotions I had been holding inside. Writing worked the same way—I could pour my feelings onto a page, even if no one else ever read them.
“Art gave me a way to express emotions I couldn’t put into words.”
Art also reminded me that I wasn’t alone. At my lowest points, I would listen to music or read poetry that spoke to my pain, and it was comforting to know that other people had felt this way too. Their words and melodies became a reminder that grief is universal, that others had survived it, and that I could too. It connected me to something bigger than my own sorrow.
More than anything, creating art gave me a sense of peace, even when everything else felt chaotic. When I focused on painting or writing, my mind wasn’t consumed by sadness—it was present, engaged in the act of creating. It didn’t make the grief disappear, but it made it more bearable.
Art didn’t "fix" my grief, but it helped me live with it. It gave me a way to feel, to remember, and to heal. And in those moments of creation, I found light even in the darkest places.
Periods of Art: Baroque
As an artist today, it’s really easy for me to forget that whatever techniques I have come up with and whatever subject matter I choose to paint, I stand on the shoulders of uncountable artists before me. There is truly nothing new under the sun. Everything has its origins story. So much of my story has to do with art, so I wanted to think through the different periods of art and consider “where I’ve come from”.
I wanted to start with the Baroque period. The Baroque period in art, which lasted from the late 16th century to the early 18th century, was a time of big change and dramatic expression in Europe. It followed the Renaissance, picking up on its achievements but pushing them to new extremes. The style is known for its boldness, emotion, and movement, and it was shaped by major historical events like the Counter-Reformation, the rise of powerful monarchies, and the growing interest in science and exploration.
Baroque artists wanted to create works that made people feel something strong—whether it was awe, wonder, or intense emotion. They used dramatic contrasts of light and dark (called chiaroscuro), vivid colors, and dynamic compositions to bring their paintings, sculptures, and buildings to life. Unlike the calm and balanced art of the Renaissance, Baroque art often felt full of energy and drama, meant to catch the viewer’s attention and stir deep emotions.
Baroque artists wanted to create works that made people feel something strong
A major influence on Baroque art was the Catholic Church, especially during the Counter-Reformation. The Church wanted to inspire people’s faith and showcase its power in the face of the Protestant Reformation. To do this, they commissioned large, powerful works of art that depicted religious scenes with vivid realism. Artists like Caravaggio made Biblical stories feel immediate and relatable by using light to emphasize the emotion of a scene. Sculptors like Gian Lorenzo Bernini created works that invited viewers to step into the action, like his famous “Ecstasy of Saint Teresa,” which combines architecture and sculpture to create an immersive experience.
Baroque architecture also focused on grandeur and movement. Buildings like St. Peter’s Basilica in Rome, with its sweeping curves and lavish decorations, reflected the style’s emphasis on awe and splendor.
Artists like Rembrandt and Peter Paul Rubens brought the Baroque style to life in their own ways, using deep emotion and dramatic scenes to make their work stand out. Though the Baroque period eventually gave way to styles like Rococo and Neoclassicism, its influence on Western art remains strong, celebrated for its emotional depth and technical brilliance.
Ornate whispers call,
Motion spins through golden frames—
Grandeur fills the air.
Marketing your Artwork
Here are some thoughts (not really answers) to the age old question: How do I market my artwork. Marketing your artwork involves a combination of creativity, strategy, and understanding your audience. As an artist, it's crucial to develop a unique brand that reflects your artistic style and vision. Start by creating a professional portfolio that showcases your best work. This portfolio can be a physical collection or a digital presence on a website or social media platforms.
Social media is a powerful tool for artists. Platforms like Instagram, Pinterest, and Facebook allow you to share your work with a global audience. Use these platforms to post regularly, engage with your followers, and participate in art-related communities. Posting behind-the-scenes content, progress shots, and stories about your creative process can help build a personal connection with your audience.
Networking is another essential aspect of marketing your artwork. Attend art fairs, exhibitions, and gallery openings to meet other artists, collectors, and potential buyers. Building relationships within the art community can lead to opportunities for collaborations, exhibitions, and sales. Additionally, consider joining local and online art groups to expand your network.
Pricing your artwork appropriately is crucial. You can’t just look at your painting and ask “what do I think it’s worth?” You really have to take the time to research the market and understand how similar works are priced and consider factors such as the cost of materials, time spent, and your reputation as an artist. Offering various price points can attract a wider range of buyers.
“Pricing your artwork appropriately is crucial.”
Creating an email list is an effective way to keep your audience updated on new works, exhibitions, and events. Regular newsletters with exclusive content or special offers can help maintain interest and loyalty.
Lastly, never underestimate the power of storytelling. Share the inspiration behind your pieces, your artistic journey, and what you hope to convey through your art. This narrative can make your artwork more relatable and appealing to potential buyers, helping you stand out in a crowded market.
Like I said, these are not really “answers” but they are thoughts. If you’ve had luck with any other ways of marketing, please leave a comment. I’d love to hear success stories!
Artistic Enlightenment: Lessons from Italy
A couple years ago, my wife Joy and I had the opportunity to visit Italy. And honestly, visiting Italy was like stepping into an artist's dream. The country is a living, breathing gallery, and the experiences I had there have truly transformed my creative process.
Wandering through the Uffizi Gallery in Florence was like meeting the greats—Leonardo da Vinci, Michelangelo, and Botticelli. Seeing their masterpieces up close taught me that there’s so much value in mastering traditional techniques and understanding art’s historical context. These guys showed me that sometimes, to innovate, you need to have a deep appreciation for the past.
The beauty of Venice, with its crumbling buildings and weathered charm, was a revelation. The city’s worn steps and peeling paint told stories of their own, proving that imperfection adds depth and character to art. This experience encouraged me to embrace flaws in my work and see them as unique features rather than mistakes.
“Honestly, art is everywhere in Italy, and people genuinely cherish it.”
Italy’s landscapes, like the rolling hills of Tuscany and the sunlit Amalfi Coast, were a lesson in color and light. Watching how the colors of the countryside changed with the light of the day helped me grasp the dynamic relationship between color and light in my paintings. The vibrant Mediterranean light has definitely influenced my palette, adding a new warmth and brightness.
Honestly, art is everywhere in Italy, and people genuinely cherish it. From Rome’s art districts to Florence’s artisan workshops, the dedication and passion I encountered were infectious. This immersion reminded me that true artistry isn't just about talent; it’s about persistent dedication to the craft.
One of the biggest takeaways from my Italian adventure was realizing that inspiration can be found anywhere I go. Whether in the grand frescoes of a cathedral in Rome, the elegance of a handmade ceramic in Sulmona, or the lively gestures of street performers in a Bari piazza, Italy taught me to always keep my eyes open. Every moment, no matter how small, can translate into a burst of creativity.
In a nutshell, my journey through “the boot” was a rich tapestry of lessons that will stay with me forever. The history, beauty, passion, and everyday moments I experienced have deeply enriched my creative vision and appreciation for art. I can’t wait to go back!
Why Travel is Crucial for Unleashing Creativity
In today's world, creativity can easily be stifled by routine and the mundane. One of the most effective ways to reignite that creative spark is through travel. I think probably any travel will do. Stepping out of your comfort zone and immersing yourself in new environments can dramatically fuel your creativity in unique and powerful ways.
Exposure
I think the reason travel can ignite creativity is because travel exposes us to different cultures, landscapes, and ways of life. These experiences challenge our existing beliefs and open our minds to new possibilities. Whether it's the vibrant colors of a street market in Morocco, the intricate designs of a European cathedral, or the tranquility of a Japanese garden, these experiences can spark fresh ideas and inspire new artistic directions. The diversity in art forms, architecture, and customs broadens our creative horizons and encourages innovative thinking.
Immersion
Immersing yourself in a new culture provides a wealth of inspiration. By learning about local traditions, tasting new cuisines, and engaging with people from different backgrounds, you enrich your understanding of the world. These experiences provide a rich source of inspiration for artists. Whether it’s the rhythm of a traditional dance, the storytelling methods of indigenous communities, or the patterns in local textiles, cultural immersion stimulates the imagination and brings a fresh perspective to creative endeavors.
Breaking Routine
The other thing is that breaking routine is crucial to a free flow of creativity. Routine is crucial, don’t get me wrong. Routine is comfortable. But routine can also be a significant barrier to creativity. The monotony of everyday life often leads to a mental block, making it difficult to think creatively. Traveling disrupts this routine by introducing new stimuli and experiences. Whether it's a seaside retreat, a mountain hike, or an urban adventure, a change of scenery revitalizes the senses and encourages a new outlook. The unpredictability of travel forces us to adapt and think quickly, often leading to innovative ideas and solutions.
Reconnecting with Nature
Nature has long been a source of inspiration for artists. Travel allows us to reconnect with the natural world, away from the distractions of technology and urban life. The awe-inspiring beauty of a sunset over the Grand Canyon, the serenity of a forest path, or the powerful waves crashing against the shore can evoke deep emotions and inspire creative expression. Spending time in nature nurtures our sense of wonder and encourages artistic exploration.
Travel is a powerful catalyst for creativity. It provides new perspectives, cultural immersion, a break from routine, and a connection with nature. By stepping out of our comfort zones and embracing new experiences, we open ourselves to a world of inspiration. So, pack your bags and set off on an adventure – your creativity will thank you.
Blog Archive
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2025
- Oct 12, 2025 What can I learn from Pablo Picasso in 2025? Oct 12, 2025
- Oct 10, 2025 What can I learn from Raphael in 2025? Oct 10, 2025
- Oct 8, 2025 What can I learn from Georgia O’Keefe in 2025? Oct 8, 2025
- Sep 28, 2025 What can I learn from Caravaggio in 2025? Sep 28, 2025
- Jul 25, 2025 What can I learn from Thomas Gainsborough in 2025? Jul 25, 2025
- Jul 20, 2025 What can I learn from Leonardo da Vinci in 2025? Jul 20, 2025
- Jul 15, 2025 What can I learn from Michelangelo in 2025? Jul 15, 2025
- Jul 2, 2025 What can I learn from Van Gogh in 2025? Jul 2, 2025
- Jun 25, 2025 What can I learn from Renoir in 2025? Jun 25, 2025
- Jun 23, 2025 What can I learn from Claude Monet in 2025? Jun 23, 2025
- Jun 21, 2025 Using Complimentary Colors for Shading Jun 21, 2025
- Jun 17, 2025 How and When to use Complimentary Colors Jun 17, 2025
- May 30, 2025 Perspective in Art 101: How to Make Your Drawings Pop Off the Page May 30, 2025
- May 26, 2025 How to Really Understand Medieval Art May 26, 2025
- May 22, 2025 Staying Creative May 22, 2025
- May 10, 2025 AT Experience May 10, 2025
- May 3, 2025 Go Take a Walk! May 3, 2025
- Apr 25, 2025 Periods of Art: Mannerism Apr 25, 2025
- Apr 17, 2025 Finding Meaning in the Abstract: Pointers for Understanding Modern Art Apr 17, 2025
- Apr 16, 2025 The Quiet Labor Apr 16, 2025
- Apr 12, 2025 To Art: a Poem Apr 12, 2025
- Apr 5, 2025 The Enchantment of Art Nouveau Apr 5, 2025
- Mar 23, 2025 "What was it like going to art school?" Mar 23, 2025
- Mar 18, 2025 Why I Love the Rococo Period Mar 18, 2025
- Mar 4, 2025 Expressing Joy Through Art Mar 4, 2025
- Feb 28, 2025 The Connection Between Art and Frustration Feb 28, 2025
- Feb 23, 2025 Neoclassicism: Bringing Ancient Style Back to Life Feb 23, 2025
- Feb 18, 2025 On my walk Feb 18, 2025
- Feb 12, 2025 Art at the Very Beginning Feb 12, 2025
- Feb 10, 2025 Monet and Renoir: A Personal Reflection on Their Differences Feb 10, 2025
- Feb 6, 2025 The Fount of Creation: A poem Feb 6, 2025
- Feb 1, 2025 The Connection Between Art and Grief Feb 1, 2025
- Jan 29, 2025 A Journey Through Medieval Art: Stories from the Middle Ages Jan 29, 2025
- Jan 26, 2025 The Story of Art: The Romantic Period Jan 26, 2025
- Jan 16, 2025 The Relationship Between Music and Painting Jan 16, 2025
- Jan 12, 2025 Periods of Art: Baroque Jan 12, 2025
- Jan 11, 2025 Marketing your Artwork Jan 11, 2025
- Jan 7, 2025 Exploring the Golden Ratio in Art Jan 7, 2025
- Jan 3, 2025 Artistic Enlightenment: Lessons from Italy Jan 3, 2025
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2024
- Dec 29, 2024 Why Travel is Crucial for Unleashing Creativity Dec 29, 2024
- Dec 22, 2024 Steps to Becoming a Full-Time Professional Artist Dec 22, 2024
- Dec 10, 2024 How to Determine Subject Matter for Your Next Painting Dec 10, 2024
- Dec 3, 2024 My Favorite Artist Dec 3, 2024
- Dec 1, 2024 Creativity and Exploration Dec 1, 2024
- Nov 13, 2024 Impressionistic Heroes of Mine Nov 13, 2024
- Nov 10, 2024 "So how do you DO this?" Nov 10, 2024
- Nov 3, 2024 Discovering the Bond Between Nature and Art Nov 3, 2024
- Nov 1, 2024 How Art Can Help Us Cope with Stress Nov 1, 2024
- Oct 27, 2024 How to Select the Perfect Art for Your Home Oct 27, 2024
- Oct 24, 2024 What to Do When You Feel Like Giving Up as an Artist Oct 24, 2024
- Oct 14, 2024 Book Review: The Artist’s Way Oct 14, 2024
- Oct 11, 2024 How to find Inspiration for your art Oct 11, 2024
- Sep 24, 2024 Crafting the Perfect Title for Your Artwork Sep 24, 2024
- Sep 14, 2024 The Worst Advice I’ve Ever Received as an Artist Sep 14, 2024
- Sep 8, 2024 Overcoming Artist’s Block: Practical Tips Sep 8, 2024
- Aug 30, 2024 Exploring Lessons from Vincent van Gogh Aug 30, 2024
- Aug 29, 2024 Why Purchase Original Artwork? Aug 29, 2024
- Aug 25, 2024 How do you determine the best size artwork to purchase? Aug 25, 2024
- Aug 15, 2024 "So, what's this painting worth?" Aug 15, 2024
- Aug 9, 2024 What color art would go best in my home? Aug 9, 2024
- Aug 4, 2024 How to deal with criticism as an artist Aug 4, 2024
- Mar 27, 2024 Question 12: "What do you do when you have a mental block?" Mar 27, 2024
- Mar 27, 2024 New Goals + Winter Months = "Outside the Box" Creativity Mar 27, 2024
- Jan 8, 2024 Question 11: Where do you get inspiration for your work? Jan 8, 2024
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2023
- Sep 11, 2023 Question 10: "Do you have your work in galleries?" Sep 11, 2023
- Aug 27, 2023 Question 9: "How do you manage the business side of your art business?" Aug 27, 2023
- Aug 20, 2023 Question 8: "Do you advertise?" Aug 20, 2023
- Aug 13, 2023 Question 7: "How do you price your work?" Aug 13, 2023
- Jul 30, 2023 Question 6: "What are the positive points and negative points about having an 'open studio'?" Jul 30, 2023
- Jul 19, 2023 Question 5: "Would you mind critiquing my work at some point?" Jul 19, 2023
- Jul 1, 2023 Question 4: "Would you recommend art school, and if so, how would you find the right one?" Jul 1, 2023
- Jun 24, 2023 Question 3: "Did you go to art school? If so, where?" Jun 24, 2023
- Jun 16, 2023 Question 2: "How long have you been selling your work professionally?" Jun 16, 2023
- Jun 10, 2023 Question 1..."How long have you been an artist?" Jun 10, 2023
- Jun 4, 2023 So, you're thinking about art as a career? Jun 4, 2023
- Mar 3, 2023 "What inspires you as an artist?" Mar 3, 2023
- Feb 15, 2023 Should I buy a completed painting OR commission a painting? Feb 15, 2023
- Jan 23, 2023 "How do you Price Your Work?" Jan 23, 2023
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2022
- Dec 1, 2022 An Artist in Italy (Part 3) Dec 1, 2022
- Nov 16, 2022 An Artist in Italy (Part 2) Nov 16, 2022
- Nov 8, 2022 An Artist in Italy (Part 1) Nov 8, 2022
- Oct 10, 2022 When Remodeling a Home... Oct 10, 2022
- Aug 22, 2022 How to Handle Failure Aug 22, 2022
- Jun 3, 2022 "What is it like being an artist these days?" Jun 3, 2022
- May 21, 2022 "Are All Artists Introverts?" May 21, 2022
- May 9, 2022 What Makes a Painting a Good Piece of Art? May 9, 2022
- Apr 1, 2022 The Story Behind…"Gentle Showers on a Summer Afternoon" Apr 1, 2022
- Mar 19, 2022 The Story Behind..."Blue Ridge Summer Afternoon" Mar 19, 2022
- Feb 18, 2022 Your Opinion Please... Feb 18, 2022
- Jan 22, 2022 What's in a Compliment? Jan 22, 2022
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2021
- Dec 25, 2021 My Christmas Present to Joy Dec 25, 2021
- Dec 12, 2021 Deep in the Heart Dec 12, 2021
- Nov 29, 2021 "How do you know you're done with a painting?" Nov 29, 2021
- Nov 1, 2021 Does it Matter What Other People Think of My Art? Nov 1, 2021
- Oct 12, 2021 Creatively Inhaling... Oct 12, 2021
- Aug 31, 2021 More Fun than I Know What to do With Aug 31, 2021
- Aug 13, 2021 “Are You Self Taught?” Aug 13, 2021
- Jul 21, 2021 New Art Gallery on the West Coast Jul 21, 2021
- Jun 23, 2021 "Art from the Heart" vs "Commissioned Art" Jun 23, 2021
- May 28, 2021 More Questions and Answers May 28, 2021
- May 17, 2021 What does Diversity have to do with honest artwork? May 17, 2021
- May 4, 2021 More Questions and Answers May 4, 2021
- Apr 30, 2021 Questions and Answers Apr 30, 2021
- Apr 16, 2021 And the Next Blog Post is... Apr 16, 2021
- Mar 10, 2021 How do you create when you don't feel like creating? Mar 10, 2021
- Feb 11, 2021 "Mullaghmore": The Story Behind the Painting Feb 11, 2021
- Jan 28, 2021 A Look Back to "The Dark Year" Jan 28, 2021
- Jan 17, 2021 Studio Expansion...Hello Northeast! Jan 17, 2021
- Jan 7, 2021 How to Create the Perfect Painting Jan 7, 2021
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2020
- Dec 1, 2020 A personal answer to a personal question... Dec 1, 2020
- Nov 4, 2020 Using Art to Express my Politics Nov 4, 2020
- Oct 16, 2020 Sometimes, just "having fun" is a good enough reason Oct 16, 2020
- Oct 4, 2020 The Best Painting Delivery Ever... Oct 4, 2020
- Sep 7, 2020 How a Dinky Little Virus Changed my Art Business Sep 7, 2020
- Aug 9, 2020 Adaptation: Survival of the Most Flexible Aug 9, 2020
- Aug 3, 2020 Story Behind the Painting: "Sundown over the Blue Ridge" Aug 3, 2020
- Jul 18, 2020 Cure for Covid blues Jul 18, 2020
- Jul 5, 2020 Where Does it Take You? Jul 5, 2020
- Jun 3, 2020 Story Behind the Painting: Autumn Day on the French Broad River Jun 3, 2020
- May 24, 2020 Story Behind the Painting: Saint-Jean-Cap-Ferrat May 24, 2020
- Apr 30, 2020 Q&A: SESSION TWO Apr 30, 2020
- Apr 22, 2020 Q&A: SESSION ONE Apr 22, 2020
- Apr 8, 2020 What I'll Miss When This Pandemic is Over... Apr 8, 2020
- Mar 20, 2020 Entertaining Angels Unawares Mar 20, 2020
- Mar 8, 2020 In Celebration of Art Mar 8, 2020
- Feb 27, 2020 "The Bridge" Feb 27, 2020
- Feb 8, 2020 The Most Interesting Question of the Year (but it's only February so...) Feb 8, 2020
- Jan 29, 2020 "Can I Watch You?" Jan 29, 2020
- Jan 14, 2020 From Point A to Point Z Jan 14, 2020
- Jan 5, 2020 An Impractical Idea Jan 5, 2020
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2019
- Dec 17, 2019 My Beautiful Baby on Display Dec 17, 2019
- Dec 3, 2019 Regarding the Selection of an Artistic Theme Dec 3, 2019
- Nov 20, 2019 "What's Your Best Price on This Piece?" Nov 20, 2019
- Nov 13, 2019 A Really Unique Commission Project Nov 13, 2019
- Nov 6, 2019 Fun with Art Scammers Nov 6, 2019
- Nov 3, 2019 "How did you know you wanted to be an artist?" Nov 3, 2019
- Oct 30, 2019 How do you know when a painting is "done"? Oct 30, 2019
- Oct 20, 2019 The piece I had to paint: "Côte d’Azur" Oct 20, 2019
- Oct 18, 2019 Inspiration Everywhere! Oct 18, 2019
- Aug 26, 2019 Contentment vs Restlessness Aug 26, 2019
- Aug 14, 2019 "Why Should I Purchase Artwork?" Aug 14, 2019
- Aug 11, 2019 What Was Art School Like? Aug 11, 2019
- Aug 7, 2019 "The Four Seasons on the French Broad River" Aug 7, 2019
- Jul 30, 2019 Joy Unspeakable Jul 30, 2019
- Jul 7, 2019 Of Mountains and Oceans Jul 7, 2019
- Jul 3, 2019 Lessons I've Learned as an Artist Jul 3, 2019
- Jun 26, 2019 St.Claire Art Opening at the AC Hotel, Asheville Jun 26, 2019
- Jun 23, 2019 "How do you decide what to paint?" Jun 23, 2019
- Jun 5, 2019 One of my All-Time Heroes Jun 5, 2019
- Jun 2, 2019 Regarding "Inspiration" vs "Necessity" Jun 2, 2019
- May 29, 2019 The Best Complement I've Ever Received May 29, 2019
- May 19, 2019 "What are you Working on These Days?" May 19, 2019
- May 5, 2019 "Frankenstein-ing" a painting May 5, 2019
- Apr 17, 2019 The Big Reveal Apr 17, 2019
- Apr 3, 2019 "How do you Decide What to Paint?" Apr 3, 2019
- Mar 27, 2019 "I'm just not making the sales I need!" Mar 27, 2019
- Mar 20, 2019 Making the Most of Mistakes Mar 20, 2019
- Mar 10, 2019 Exploring Austin Galleries, Part 2 Mar 10, 2019
- Feb 25, 2019 Exploring Austin Galleries, Part 1 Feb 25, 2019
- Feb 10, 2019 Progress! Feb 10, 2019
- Jan 23, 2019 Preliminary Photos of my "Sails" Prototypes Jan 23, 2019
- Jan 16, 2019 The Benefits of Slowing Down Jan 16, 2019
- Jan 8, 2019 New Idea Taking Shape Jan 8, 2019
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2018
- Dec 29, 2018 Looking Back and Looking Ahead Dec 29, 2018
- Dec 19, 2018 Percolating Creativity Dec 19, 2018
- Dec 16, 2018 So then... Dec 16, 2018
- Dec 12, 2018 What if... Dec 12, 2018
- Dec 5, 2018 Recent Projects on my Plate Dec 5, 2018
- Dec 3, 2018 Claude: My Creative Hero and Muse Dec 3, 2018
- Nov 22, 2018 Lessons I've Learned as an Artist Nov 22, 2018
- Nov 12, 2018 Planning for a Second Studio Location! Nov 12, 2018
- Nov 7, 2018 Steps Involved with a Painting Commission Nov 7, 2018
- Nov 4, 2018 How do you stay "balanced"? Nov 4, 2018
- Oct 28, 2018 What makes art "Art"? Oct 28, 2018
- Oct 21, 2018 "How Did You Stumble Across This Type of Artwork?" Oct 21, 2018
- Oct 17, 2018 "A Personal History" Oct 17, 2018
- Oct 14, 2018 Commission Confusion Oct 14, 2018
- Oct 10, 2018 "Aqueous Dream" Oct 10, 2018
- Oct 7, 2018 Beauty in the Center of the Pit Oct 7, 2018
- Sep 30, 2018 Only North Carolina? Sep 30, 2018
- Sep 23, 2018 The Price of Being a Landscape Painter Sep 23, 2018
- Sep 9, 2018 Thoughts on New Directions, New Possibilities Sep 9, 2018
- Aug 29, 2018 SURVEY: GLOSSY OR SATIN Aug 29, 2018
- Aug 22, 2018 Regarding Commissioning a Painting Aug 22, 2018
- Aug 19, 2018 On the Brink of a Huge Failure Aug 19, 2018
- Aug 7, 2018 "The Trail That Never Ends" Aug 7, 2018
- Aug 5, 2018 Inspration Begets Inspiration Aug 5, 2018
- Jul 19, 2018 Rejuvenating Creativity! Jul 19, 2018
- Jul 15, 2018 A Word About Accolades Jul 15, 2018
- Jul 10, 2018 Where it Began Jul 10, 2018
- Jul 4, 2018 Funny Things People Say in an Art Studio Jul 4, 2018
- Jun 29, 2018 "The Time Between Times" Jun 29, 2018
- Jun 27, 2018 World View #8: Post Modernism Jun 27, 2018
- Jun 21, 2018 World View #7: New Age Pantheism Jun 21, 2018
- Jun 12, 2018 A New Opportunity -- A New Idea Jun 12, 2018
- Jun 6, 2018 The Art of Dinner (at the Grove Park Inn) Jun 6, 2018
- Jun 3, 2018 National Geographic?!? Jun 3, 2018
- Jun 1, 2018 World View #6: Modernism Jun 1, 2018
- May 24, 2018 The Art of Dinner (with the Dallas Cowboys) May 24, 2018
- May 13, 2018 Carving Mountains from Scratch May 13, 2018
- May 10, 2018 "Trigger Warning" May 10, 2018
- May 7, 2018 World View #5: Existentialism May 7, 2018
- Apr 29, 2018 World View #4: Nihilism Apr 29, 2018
- Apr 11, 2018 World View #3: Naturalism Apr 11, 2018
- Apr 4, 2018 World View #2: Deism Apr 4, 2018
- Mar 26, 2018 World View #1: Theism Mar 26, 2018
- Mar 23, 2018 A Time to be Disturbed Mar 23, 2018
- Mar 14, 2018 Understanding Art 101 Mar 14, 2018
- Mar 8, 2018 The Organ Mountains Mar 8, 2018
- Mar 7, 2018 "Remember...there are no mistakes with art" Mar 7, 2018
- Mar 2, 2018 The Biltmore Estate Mar 2, 2018
- Feb 21, 2018 How to Make a Living as an Artist (Part 2) Feb 21, 2018
- Feb 12, 2018 How to Make a Living as an Artist Feb 12, 2018
- Feb 4, 2018 How do you create when you don't feel creative? Feb 4, 2018
- Jan 24, 2018 Gallery Representation in Hendersonville! Jan 24, 2018
- Jan 19, 2018 Metalizing the Biltmore Estate Jan 19, 2018
- Jan 15, 2018 Four Seasons on the Blue Ridge Jan 15, 2018
- Jan 11, 2018 About Ice... Jan 11, 2018
- Jan 10, 2018 What's Next? Jan 10, 2018
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2017
- Dec 20, 2017 Mountain Top Experiences Dec 20, 2017
- Dec 18, 2017 The Power of Mystery Dec 18, 2017
- Dec 7, 2017 Forsyth Park Fountain Dec 7, 2017
- Dec 6, 2017 Angsty or Terrified? Dec 6, 2017
- Dec 4, 2017 To the "Angsty" Artist... Dec 4, 2017
- Dec 3, 2017 "I woudn't pay HALF of what he's asking!" Dec 3, 2017
- Nov 20, 2017 "On the Water" Nov 20, 2017
- Nov 19, 2017 Song of Autumn Nov 19, 2017
- Nov 15, 2017 "Top of the Mountain" Nov 15, 2017
- Nov 5, 2017 "How do you decide what to paint?" Nov 5, 2017
- Nov 2, 2017 "Valley of Shadows" Nov 2, 2017
- Nov 1, 2017 Forest of Autumn Gold Nov 1, 2017
- Oct 25, 2017 Then and Now Oct 25, 2017
- Oct 24, 2017 Catawba Falls Oct 24, 2017
- Oct 18, 2017 "Valley of Shadows" Oct 18, 2017
- Oct 11, 2017 Autumn River Song Oct 11, 2017
- Oct 3, 2017 Autumnal Shift Oct 3, 2017
- Sep 28, 2017 Mystic Summer Morning Sep 28, 2017
- Sep 24, 2017 Valley of Shadows Sep 24, 2017
- Sep 1, 2017 the breakers Sep 1, 2017
- Aug 24, 2017 When the Sun Went Dark Aug 24, 2017
- Aug 17, 2017 Secret Blog Post Aug 17, 2017
- Aug 14, 2017 Waterfalls Everywhere! Aug 14, 2017
- Aug 11, 2017 "Cullasaja Falls" Completion photo Aug 11, 2017
- Aug 8, 2017 Finishing up "My Marathon" Aug 8, 2017
- Aug 1, 2017 One of the Best Days Ever! Aug 1, 2017
- Jul 26, 2017 "Glacial Fractures in situ" Jul 26, 2017
- Jul 24, 2017 Inspiration and Rest Jul 24, 2017
- Jul 18, 2017 Half Baked Ideas... Jul 18, 2017
- Jul 13, 2017 Oaks on the Water Jul 13, 2017
- Jul 9, 2017 Challenged to the Core Jul 9, 2017
- Jul 5, 2017 Boats on the Water Jul 5, 2017
- Jun 30, 2017 Glacial Fractures Jun 30, 2017
- Jun 29, 2017 Winter in the Summer! Jun 29, 2017
- Jun 27, 2017 What's in a Compliment? Jun 27, 2017
- Jun 23, 2017 Thoughts on a Mighty Failure Jun 23, 2017
- Jun 20, 2017 Sunrise on the Mountain Jun 20, 2017
- Jun 14, 2017 The Last Sunset (is that dramatic or what?) Jun 14, 2017
- Jun 12, 2017 Sunset or Sunrise? End or Beginning? Jun 12, 2017
- Jun 9, 2017 At the End of the Day Jun 9, 2017
- Jun 8, 2017 Giverny: My Homage to the Man Jun 8, 2017
- Jun 2, 2017 A Funny Thing Happened at the Studio Today... Jun 2, 2017
- Jun 2, 2017 Sunrise, Sunset... Jun 2, 2017
- May 29, 2017 Color Explosion May 29, 2017
- May 22, 2017 My Largest Painting to Date... May 22, 2017
- May 18, 2017 What to do with 2000 visitors in an art studio... May 18, 2017
- May 9, 2017 My Creative Muse May 9, 2017
- May 3, 2017 Joys of Life May 3, 2017
- Apr 28, 2017 Regarding Art & Beauty Apr 28, 2017
- Apr 25, 2017 Getting Better Acquainted Apr 25, 2017
- Apr 23, 2017 Rainy Sunday Morning Thoughts Apr 23, 2017
- Apr 22, 2017 Personal Thoughts Apr 22, 2017
- Apr 19, 2017 Favorite Hikes (Inspiration in the Making)... Apr 19, 2017
- Apr 15, 2017 Inspiration is Everywhere (some of our favorite hiking trails) Apr 15, 2017
- Apr 9, 2017 "Where should we eat tonight?" Apr 9, 2017
- Apr 6, 2017 Who Else Should We See in the District? Apr 6, 2017
- Apr 1, 2017 Spring in Western North Carolina Apr 1, 2017
- Mar 29, 2017 "Can you really make a living here?" Mar 29, 2017
- Mar 25, 2017 Of Ruination and Rescue Mar 25, 2017
- Mar 21, 2017 How I decide what to paint... Mar 21, 2017
- Mar 18, 2017 Musings of an artist... Mar 18, 2017
- Mar 14, 2017 Winter thoughts Mar 14, 2017
- Mar 13, 2017 "What makes this painting so sparkly?" Mar 13, 2017
- Mar 10, 2017 You're From Where? Mar 10, 2017
- Mar 5, 2017 "No Boundaries" Mar 5, 2017
- Mar 3, 2017 Appalachian Trail Mar 3, 2017
- Mar 2, 2017 What is 'good' art? Mar 2, 2017
- Feb 26, 2017 A Trip to the Art Museum Feb 26, 2017
- Feb 23, 2017 "The Rules" of Art Feb 23, 2017
- Feb 15, 2017 To School or Not to School... Feb 15, 2017
- Feb 10, 2017 How Do I Start This Thing? Feb 10, 2017
- Feb 9, 2017 Rocky Mountains reflection Feb 9, 2017
- Feb 7, 2017 Getting Inspired Feb 7, 2017
- Feb 5, 2017 Inspiration for a painting... Feb 5, 2017
- Jan 31, 2017 Understanding Abstract Art Jan 31, 2017
- Jan 29, 2017 Chi Jan 29, 2017
- Jan 26, 2017 Process: Rocky Mountain Commission Jan 26, 2017
- Jan 12, 2017 "Summer Path Thru the Birch Trees" Jan 12, 2017
- Jan 9, 2017 "Daybreak" Jan 9, 2017
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2016
- Dec 31, 2016 Revisiting a friend Dec 31, 2016
- Dec 28, 2016 The Trial Run Dec 28, 2016
- Dec 17, 2016 Asheville Channel Interview Dec 17, 2016
- Nov 28, 2016 "Big Mamma" begins to sing.... Nov 28, 2016
- Nov 22, 2016 An Experiment with Moonlight Nov 22, 2016
- Nov 17, 2016 Transfiguration Nov 17, 2016
- Nov 11, 2016 My Cluttered World Nov 11, 2016
- Oct 30, 2016 Sacred Space Oct 30, 2016
- Oct 22, 2016 Omikron (Fire & Ice) Oct 22, 2016
- Oct 19, 2016 "Do you know what you're going to paint?" Oct 19, 2016
- Oct 15, 2016 "Golden Pathway" Oct 15, 2016
- Oct 14, 2016 Flowers, Flowers Everywhere Oct 14, 2016
- Oct 13, 2016 OKC 2 ("The Bridge") Oct 13, 2016
- Oct 12, 2016 Headed west... Oct 12, 2016
- Sep 7, 2016 A Year of "Largest" Sep 7, 2016
- Aug 2, 2016 Transformation of an idea... Aug 2, 2016
- Jul 27, 2016 Beginning my "marathon" painting: Cullasaja Falls Jul 27, 2016
- Jul 18, 2016 My Marathon Jul 18, 2016
- Jul 13, 2016 Welcome! Jul 13, 2016
- Jul 11, 2016 Aegean Waters Jul 11, 2016
- Jul 2, 2016 The Red Planet Jul 2, 2016
- Jun 17, 2016 Puzzling and Playing Jun 17, 2016
- Jun 10, 2016 St.Claire Art Studio Tour Jun 10, 2016
- Jun 6, 2016 Hominy Valley Jun 6, 2016
- May 25, 2016 "The Acolytes" is installed in Georgetown, SC May 25, 2016
- May 19, 2016 "Zuma" May 19, 2016
- May 18, 2016 Fishy Art May 18, 2016
- May 13, 2016 "The Journey" May 13, 2016
- May 10, 2016 Hyatt Ridge (26" x 16") May 10, 2016
- May 5, 2016 "Broad River in October" May 5, 2016
- May 2, 2016 A Blast From the Past May 2, 2016
- Apr 22, 2016 Beginnings II Apr 22, 2016
- Apr 21, 2016 Appalachian Panorama Apr 21, 2016
- Apr 18, 2016 "How do you get the aluminum on the painting?" Apr 18, 2016
- Apr 14, 2016 Beginnings Apr 14, 2016
- Mar 24, 2016 St. Claire Art News & Updates Mar 24, 2016
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