Self promotion

Question 10: "Do you have your work in galleries?"

If you or someone you know is an aspiring full time artist, one really important question that needs an answer is this: Do you have your work in galleries? And then the follow up question, “How do you find the right galleries?”

When I was still a novice at marketing my own artwork, I had absolutely no idea there is actually etiquette involved with getting my work into an art gallery and in the beginning, I unknowingly broke all the rules. I first thought of cool cities with a decent art scene, and then got onto Google and basically emailed every art gallery on the list. My email included photos and my resume.

After well over a hundred emails (all unanswered by the way), I learned that I needed some help and eventually received the advice I needed. Here is that advice:

1) Think of the cities most visited by tourists or art seekers.

2) Google the art galleries on your list and look at every gallery website with this in mind: “Would my work fit well in this gallery? If say, you do minimalist abstract work and the gallery is in Cody, Wyoming and carries all cowboy portraits, uh…pass that one up”. This is really important. You’ll make yourself look like a fool if you don’t do your research. Contact only galleries in which you work would look “at home” in.

“…Would my work fit into this gallery?”

I regularly get people emailing me asking if they can get into my gallery. Had they actually done their homework, they’d see that I do not have a “gallery” at all per se. I have an open art studio (a place where artwork is produced and sold by the artist). Had the inquirer taken just a moment to look at my website, they’d realize this. When an artist doesn’t do proper research, it just makes them look ridiculous. Trust me…this is probably why I received no responses from all the art galleries I emailed back in the day.

3) Ideally, next, you need to take a road trip and actually VISIT the art galleries in one of the towns you’ve selected. Just pick one town/city and work on that one first. You’re not going to be able to fill twenty art galleries with your work, so don’t bother covering the entire country. Look at one city at a time. When you’re visiting, greet the curator/gallery owner and just browse through, taking your time looking at the artwork. At this point, imagine you’re a perspective art buyer, so pay close attention to the vibe you pick up entering and wondering around. Were you completely ignored when you entered? Not good. Are you followed around and hounded? Not good. I wouldn’t bother pursuing the gallery if they don’t treat visitors with respect. But then if all goes well, ask the person at the desk if you could make an appointment to talk to the manager and get info on their policy regarding the addition of new artists. Asking for an appointment immediately communicates that you respect their time. Respect is good. Then when you meet with the owner/manager, ask them what the process is and how you might be considered as one of the artists they represent. Do NOT walk in with your paintings under your arms. Do NOT scroll through the photos on your phone to wow them. Trust me. They have a policy in place. Find out what that policy is and follow it. Again, that shows respect AND it actually gets your work considered.

I had a gallery owner friend in Asheville years ago, and she said she recieved emails from artists wanting gallery representation every day, literally over a hundred emails a week. She said she just deletes them all. That is because there was an intake policy in place (actually stated on her gallery website) and that the policy was not followed. Do you homework.

Follow this advice, and that will at least help. And it will definitely mean you won’t have to email hundreds of art galleries like I did initially. Be smart.

St.Claire Art Opening at the AC Hotel, Asheville

The rooftop of the AC Hotel, Asheville, North Carolina

The rooftop of the AC Hotel, Asheville, North Carolina

As a full-time artist, I hear a lot about the importance of "self-promotion", "putting yourself out there", and "getting noticed". And as I've been doing this art gig full-time for some years now, it's occurring to me that it's a really easy thing to start believing that success is measured by how much attention I get. That sounds really arrogant. Let me explain what I mean.

A few months ago, I was asked to have my artwork displayed at the roof-top bar of the AC Hotel in downtown Asheville in August. This is a real honor, as this hotel is truly amazing. Honestly, going to the art opening and reception, I will be so out of my league. But there's something really intriguing about "schmoozing" with the elite. If you do it enough, you begin to believe you are part of "the" crowd. I remember when I was an "emerging" artist, I'd look at more accomplished artists and see what they were doing to promote their work and my head would swim. "How do they get all this attention? What do you have to do to get that?" are questions that continually ran around in my head.

…”self-promotion" is different than "art-promotion".

One is toxic and the other in not.

In the last couple days, I've been doing a lot of planning for this upcoming art opening at the AC (which is August 15th by the way) and it occurred to me that this is a fine thing to do, and it's necessary for an artist to promote their artwork (if you want it to sell). But "self-promotion" is different than "art-promotion". One is toxic and the other in not. I really do want people to value and enjoy my artwork. That feels awesome, and I do seek that. But having what I do valued and validated can NOT be confused with having my person valued and validated. If "I" am seeking value and validation with the attention "I" get, then I become really ugly. Everything becomes about self-promotion, and whatever attention I get will never be enough. Not really. And because of that, I'd always be looking for more and bigger and better ways of self-promotion. The bigger the event, the more attention I garner for my work, the more valuable I'll feel as a person.

I've decided to repudiate all that. What if value is not found in doing the big things that get all the attention, but in doing little things well…by adding beauty to the mundane chores of life? When I look out at a local mountainside, I see beauty everywhere: in wildflowers that will be wilted next week, in small pebbles with pink crystals in them that maybe no one will ever (EVER) notice again, in the random cardinal flying overhead, in the sound of the breeze through the leaves. Beauty in nature completely permeates the mundane. My faith tells me I'm created in the image of God, and if God infused even the mundane with beauty, then maybe that's how I reflect that Image. Maybe as a creator myself, maybe THAT'S the "biggest" thing I can do to express who and what I really am. This means that maybe by adding beauty to the smallest of things: to washing the dishes for my wife, to smiling at the person in front of me at the grocery store, to letting someone cut in front of me on the freeway, to playing with my grandchildren, to doing things no one will notice or care much about...maybe THOSE small things are really the biggest, most satisfying things that "real" life is all about.

So I'll got to this art opening at the AC Hotel, and I'm sure it'll be a lot of fun. But I'm there to promote my art, not myself. Now excuse me. I'm going to do the dishes. :)